The Pianist (2002)

Director Roman Polanski's film The Pianist is based on the memoirs of Polish classical pianist Wladyslaw Szpilman about his harrowing experiences under the Nazi occupation of Warsaw during World War II. The soundtrack album consists almost entirely of Chopin piano pieces, most of them played by Janusz Olejniczak. Most of those, in turn, are solo performances, although Olejniczak is joined by the Warsaw Philharmonic Orchestra, conducted by Tadeusz Strugala, for Grand Polonaise for Piano and Orchestra. The sole non-Chopin track is the excerpt from Wojciech Kilar's score, "Moving to the Ghetto October 31, 1940," a klezmer-like piece running only 1:45 in which Hanna Wolczedska plays clarinet, accompanied by the Warsaw Philharmonic. Appropriately, the album ends with an actual recording by Szpilman of the Mazurka in A Minor, Op. 17, No. 4.

Cassandra Wilson continues to move down a highly eclectic path on Belly of the Sun, the somewhat belated follow-up to Traveling Miles. While displaying a jazz singer's mastery of melodic nuance and improvisatory phrasing, Wilson draws on a variety of non-jazz idioms – roots music, rock, Delta blues, country, soul – to create a kind of earthy, intelligent pop with obvious crossover appeal. Her core band includes guitarists Marvin Sewell and Kevin Breit, who blend marvelously, Sewell mostly on mellow acoustic and Breit adding atmospheric touches on electric, 12-string, and slide guitars, as well as mandolin, banjo, and even bouzouki.

Singer, pianist, and songwriter with an ethereal voice, one of the great cabaret singers. A distinctive, girlish voice and crisp, impeccable delivery, plus an irrepressible sense of playful swing, made Blossom Dearie one of the most enjoyable singers of the vocal era. Her warmth and sparkle ensured that she'd never treat standards as the well-worn songs they often appeared in less capable hands. And though her reputation was made on record with a string of excellent albums for Verve during the '50s, she remained a draw with Manhattan cabaret audiences long into the new millennium.

One of the most talented female performers in modern jazz, the versatile pianist Rachel Z has happy ants in her pants, doing everything in her career from bebop to pure jazz-pop and now this colorful tribute to the songwriting artistry of Joni Mitchell. Bassist Patricia Des Lauriers and drummer Bobbie Rae complement her lively, artful, and mostly percussive interpretations of such familiar classics as "Big Yellow Taxi" and more obscure but no less melodic and infectious gems like "Carey." There's a smooth, poppy sheen to those tracks, but the pianist goes a little more experimental on "Ladies Man," mixing hardcore swinging with slower, swaying passages – challenging the girls to keep up.

Jacky Terrasson & Emmanuel Pahud - Into the Blue (2002) {EMI Classics ‎7243 5 57257 2 1}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 216 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 300 dpi (png) -> 144 Mb | 5% repair rar
© 2002 Blue Note / EMI Classics ‎| 7243 5 57257 2 1
Jazz / Classical Crossover / Post Bop / Third Stream / Piano / Flute

Emmanuel Pahud is an award-winning classical flutist who's also Principal Flute for the Berlin Philharmonic. Jacky Terrasson is an award-winning jazz pianist who's a Principal Original on the scene; uniquely playful and inventive, it's always interesting to see what he comes up with next. This time he rearranges 14 classical melodies in a jazz context.

“Superlatives are likely to flow towards this stunning Avie release, not least thanks to the eloquent, emotionally-insightful playing of Austrian violinist David Frühwirth and his Finnish pianist Henri Sigfridsson”. “With a good mixture of musical humor and deep seriousness both the artists make their claim clear to be accepted in the league of international and interesting rising generation of Soloists“

Vocalist Bobby McFerrin, best known for his pop hit, "Don't Worry, Be Happy," is a talented vocalist and all-around musician. This recording is a true reflection of his genius, and it takes jazz-fusion to another level. Joining McFerrin is the great pianist Chick Corea, with Gil Goldstein on accordion, Cameroonian bassist Richard Bona, Brazilian percussionist Cyro Baptista, and drummer Omar Hakim. Their music is a 21st-century blend of Return to Forever and Weather Report. McFerrin's superhuman vocalese investigates and invigorates a number of musical genres. Corea's spellbinding piano motifs grace the calypso-like "Invocation."

Nikolai Demidenko's large-scale pianism suits Busoni's Bach transcriptions to a tee. Listen first to the E minor prelude; you sense that Demidenko truly revels in the music's declamatory syntax and booming bass lines. Part of this may have to do with the pianist's Fazioli concert grand, whose resonance cuts like a saber wrapped in a velvet cloak. Demidenko sculpts fluid paragraphs out of the D major fugue's superficially repetitious sequences, and takes the hybrid Fantasia, Adagio, and Fugue at a brisk, vehement clip. The pianist forges an effortless link between the unfinished fugue's last measures and Busoni's unmistakably crabbed conclusion.