The Police Every Breath You Take The Classics (1995){pocm 1990}

Diva: The Singles Collection picks up where the Classics anthology (a collection of songs from Time To Say Goodbye, Eden and La Luna) left us in 2001: longing for more of Brightman's career-spanning hits including music from the Broadway musical that launched her international career…

Tragic genius who reinvented the electric bass guitar, playing complex, long lines and amazing solos at remarkable speeds.
Jaco Pastorius was a meteor who blazed on to the scene in the 1970s, only to flame out tragically in the 1980s. With a brilliantly fleet technique and fertile melodic imagination, Pastorius made his fretless electric bass leap out from the depths of the rhythm section into the front line with fluid machine-gun-like passages that demanded attention. He also sported a strutting, dancing, flamboyant performing style and posed a further triple-threat as a talented composer, arranger and producer. He and Stanley Clarke were the towering influences on their instrument in the 1970s…

2Cellos - In2ition (2013) {Sony Music Masterworks 88725409442}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 270 Mb | MP3 @320 -> 110 Mb
Full Artwork @ 300 dpi (jpg) -> 22 Mb | 5% repair rar
© 2013 Sony Music | Masterworks | 88725409442
Classical / Classical Crossover / Pop / Rock / Cellos

Legendary rock producer Bob Ezrin is at the helm on In2ition, the second release by the Croatian classical crossover duo 2Cellos. Similar to their debut release, In2ition features a wide array of restructured cover versions including "We Found Love" (Rihanna), "Highway to Hell" (AC/DC), "Bang Bang" (Sonny & Cher), and "Orient Express" (Jean Michel Jarre). The guest appearances on this date are just as eclectic as the choice of material. Helping out are Steve Vai, Lang Lang, Naya Rivera, Karl Jenkins, Zucchero, and Elton John, who is such a fan he had the duo open for him on his 2011 summer tour.

The veteran tenor Ben Webster had a very warm tone on ballads that contrasted with the aggressive biting sound he used on faster material. For this 1961 set Webster is joined by a string quartet (arranged by Johnny Richards) and a rhythm section for his melodic interpretations of a dozen standards. Even when simply stating the melody, Webster brings out unexpected beauty in the songs.