The Postmodern Representation of Reality in Peter Ackroyd's Chatterton

Go behind the scenes of the most shocking, hilarious, controversial genre of entertainment: reality television.

This book combines media studies and linguistics with theories of national and supranational identity to offer an interdisciplinary approach to the study of European identity/ies and news discourses. Taking representations of ‘Islamist terrorism’ and Turkey’s accession to the European Union as case studies, it analyses the discursive construction of supranational European identity through the discursive distinction of ‘Us’ and ‘Them’. Moreover, it compares the media’s representations of the ‘Other’ in different socio-political moments in Europe- from times of European integration (2004-5) to the European dystopia (2015-16) through the discourse analysis of specific Greek, British and French newspapers. This timely work synthesizes classic argumentative approaches and Gramscian thought in the study of media discourses by focusing on the Aristotelian concept of topos and introducing the concept of ‘hegemonic knowledge’. This pioneering work will appeal to scholars across the fields of linguistics, social anthropology, European politics, and media studies.

Fairy figure, minstrel or holy virgin? Elizabeth I used all these role models as if in a masquerade to legitimize her position as monarch. Female rulers were not actually envisaged in the structures of the 16th century. They contradicted the passive, obedient and silent image of women of the time. With masque music by Byrd, Dowland, Morley, Parsons and others, ensemble feuervogel looks behind these royal masks, breaks through courtly facades and explores how the problem of role models was solved under Elizabeth I.

Fairy figure, minstrel or holy virgin? Elizabeth I used all these role models as if in a masquerade to legitimize her position as monarch. Female rulers were not actually envisaged in the structures of the 16th century. They contradicted the passive, obedient and silent image of women of the time. With masque music by Byrd, Dowland, Morley, Parsons and others, ensemble feuervogel looks behind these royal masks, breaks through courtly facades and explores how the problem of role models was solved under Elizabeth I.