The President's Barber (2004)

The Presidents of the United States of America (occasionally referred to as PUSA, The Presidents or Pot USA) was an American alternative rock power trio band formed in Seattle, Washington, in 1993. The three-piece group's initial line-up consisted of vocalist and bassist Chris Ballew, drummer Jason Finn, and guitarist Dave Dederer; Dederer eventually left the group and was replaced by Andrew McKeag. The band released six studio albums and was best known for its hits "Lump" and "Peaches", released in 1995 and 1996 respectively. Another well-known song was "Kitty", which helped popularize their self-titled debut album.

Everybody know that novelty bands have a hard time growing up, but the Presidents of the United States of America made a large leap toward that during their re-formation of 2000, with Freaked Out and Small demonstrating a decrease in their stylized silliness mellowed into something more genuine. It wasn't that the band rocked less, but their humor seemed less forced, a development that continued on 2004's Love Everybody. Evolution continues to be the name of the game on their 2008 follow-up These Are the Good Times People, as the group replaces departing guitarist (and founding member) Dave Dederer with Andrew McKeag, while they bring Seattle underground mainstay Kurt Bloch in as producer, all elements that help make These Are the Good Times People perhaps their most eclectic album to date.

Within a matter of months after Kurt Cobain's suicide in April of 1994, fans started asking for the official release of all the demos, stray songs, alternate takes, and rarities in Nirvana's vaults. Due to various legal disputes between the surviving bandmembers and the Cobain estate, this long-awaited set of unreleased material did not appear until late 2004, when the three-disc, one-DVD box With the Lights Out finally appeared…

This is an enjoyable reissue from the RCA Chet Atkins catalog, combining two adjoining albums – The Guitar Genius and Chet Atkins and His Guitar – from the mid-'60s onto one very clean if spare CD, with no annotation or session information. Guitar instrumental fans will probably find more to like in the 12 songs off of Chet Atkins and His Guitar than the ten from The Guitar Genius – which are weighted down with vocals a bit too frequently – but it's all a serious sonic pleasure, very clean and bright, if at times a bit too languid for rock & roll, though the version of "Heartbreak Hotel" here will even impress fans on the latter level.