The Quantic

It was much to soul singer Spanky Wilson's surprise – she didn't realize she had had such an impact – when British multi-instrumentalist/producer Will Holland contacted her in her Los Angeles home in 2004, professing his love of her music and wondering if she'd collaborate with him. Still, she agreed to go the studio, and together they did two songs, "Don't Joke with a Hungry Man" and "When You're Through," for Holland's solo project, Quantic, on the album Mishaps Happening. That collaboration worked out so well that they decided to make an entire record together, this time with Holland's full band, the Quantic Soul Orchestra. Wilson's lovely voice is the centerpiece of I'm Thankful, and it does show a bit of its age, but only in the best of ways, deepening it and giving it an added measure of credibility and authenticity while still preserving its expressiveness and strength.

Almas Conectadas (Connected Souls) is the sophomore album from renowned British producer Will “Quantic” Holland and Colombian folklore singer-songwriter Nidia Góngora. Bubbling with symphonic flourishes, the release explores the unique, rich, and mystical musical traditions of the Colombian Pacific Coast while being recorded at Quantic’s Brooklyn-based studio and creative powerhouse Selva.

Saint-Germain-des-Prés Café is a series of nu-jazz compilations distributed by Wagram Music. Its name evokes the cafés of the area in Paris associated with the existentialism movement.

As the first Quantic release under his main solo moniker since 2014’s critically acclaimed ‘Magnetica’, the prolific artist has raised the stakes in the interim with further highly praised side projects including The Western Transient, Flowering Inferno, Quantic & Nidia Góngora and Quantic y Los Míticos del Ritmo. He has also relocated to Brooklyn, built his new recording studio ‘Selva’ and taken a bi-monthly residency at New York club space ‘Good Room’, where this track was created, tried and tested. “This record feels like it grew naturally as I grew to know New York”, Holland muses “I had started the record with electronic sketches in Ableton but soon found that with my new studio setup I was able to record everything with live musicians”.