The Reality Bubble

Presentation has always been a central facet of Church of the Cosmic Skull‘s approach, arguably no less crucial to it than the lush vocal arrangements or tight-knit songcraft that have played out in such classically progressive fashion across their two prior albums, 2018’s Science Fiction and 2016’s Is Satan Real? With their third offering and first to be self-released through their own semi-real imprint Septaphonic Records, Everybody’s Going to Die, they bring their delivery modus to a new level entirely on all fronts, from the writing and execution of the material to the artwork for the album by Zorad, to the release method, to the theme and narrative creating of a kind of journey through a dogma of cosmic self-realization, or, as they put it, “The Psychic Ascension to Humanity,” played out across what they call ‘The Seven Objects