The Return Of The Blasphemic Depravation

Expanded double disc editions on vinyl and CD of LC, the second studio set by The Durutti Column, originally issued by Factory in 1981 and ranked among Vini Reilly's finest albums.

The return of the Memphis soul/funk/jazz trio The City Champs. Members, Al Gamble (St. Paul & The Broken Bones), George Sluppick (Chris Robinson Brotherhood) and Joe Restivo (Don Bryant) have been secretly concocting these tasty, solar expansing nuggets since their last output in 2010.

'A Little Boom Boom Boom' marks the return of the "Smoky Voice of Blues" with its 12th album for Dixiefrog Records. Recorded between France, Germany and Tennessee, this record shows Neal Black at its best. Fueled with blues, rock and even latino roots, "A Little Boom Boom Boom" synthesize as never Neal Black's songwriting skills with the presence, for the recording sessions, of some famous guests such as Fred Chapellier, Robben Ford, Nico Wayne Toussaint or Tommy Schneller. A must have of his repertoire.

Ye tuneful Muses was written in 1686, most probably to celebrate the return of the Court from Windsor to Whitehall on 1 October. As the birthday of King James II fell on 14 October some scholars have suggested it is possible that the celebrations were combined, for the diarist Luttrell recorded that the birthday was ‘observed with great solemnity … the day concluded with ringing of bells, bonefires and a ball at Court’, but there is little in the text to suggest this was so. That anonymous author did however provide Purcell with a good libretto, full of variety and vivid material for compositional inspiration, especially in its references to music and musical instruments and, as ever, Purcell did not fail.

Earlier this year was the 40th anniversary of the White Riot tour, the anarchic, ramshackle series of gigs across the UK that launched the Clash into public consciousness (alongside their iconic first album, which moved the punk movement past the Sex Pistols’ iconoclastic entrance). The Slits were one of the tour's support acts; if anyone suited the DIY ethos of the way the music was evolving, it was this all-girl band whose take no prisoners approach (read Viv Albertine’s fabulous warts ‘n’ all autobiography) chimed with the times and attitude.