The River (1980) Columbia Pc2 36854 24 Bit 96khz Vinyl Rip

Kapt. Kopter And The (Fabulous) Twirly Birds is th 1972 solo debut album from Spiriti guitarist and vocalist Randy California. This was released by Epic Records. The FLAC version is a 24-bit/96kHz transfer while the MP3's are 320kbps.

Patricia is the 1990 debut solo album by The Crucifucks vocalist Doc Corbin Dart. The music is slightly lighter on what he was known for. This was released by Alternative Tentacles and is a 24-bit/96kHz vinyl rip while the MP3's are just transferred into 320kbps.

Club is a 5-song EP/12" single by ZZ Top featuring then-current remixes of their latest hit songs. Released at Pacific rim countries, including Australia, this came out on Warner Bros. and is a 24-bit/96kHz vinyl rip, while the MP3's were done in 320 kbps.

Arrhythmia is the 2002 album by New York City experimental hip-hop group Antipop Consortium. This 24-bit/96kHz vinyl rip was released by Warp Records.

Cannibal Apocalypse (Apocalypse Domani) is a movie released in 1980 and this soundtrack was done by A. Blonksteiner, whose "A" in his name stands for Alessandro. This is taken from the 2015 remaster released by Death Waltz Recording Company and is a hi-res, 24-bit/96kHz vinyl rip.

Live for the Moment is the debut studio effort from Sheffield indie rock outfit the Sherlocks. Composed of galloping, overdriven guitar riffs, raucous percussion, and infectious vocal harmonies, the record features the title track single and "Chasing Shadows". The album is released via Infectious Records.

AMERICAN EPIC, a film series produced by Allison McGourty, Duke Erikson and Director Bernard MacMahon, explores the pivotal recording journeys at the height of the Roaring Twenties, when music scouts armed with cutting-edge recording technology captured the breadth of American music and discovered the artists that would shape our world. The recordings they made of all the ethnic groups of America democratized the nation and gave a voice to everyone. Country singers in the Appalachians, Blues guitarists in the Mississippi Delta, Gospel preachers across the south, Cajun fiddlers in Louisiana, Tejano groups from the Texas Mexico border, Native American drummers in Arizona, and Hawaiian musicians were all recorded. It was the first time America heard itself.

The Coronas have, slowly and steadily, become one of the biggest and most recognizable bands in Ireland. The Dublin indie-rockers will follow up 2014's "The Long Way" with "Trust the Wire", their fifth album to date.

Neil Young's first two collaborations with Promise of the Real, the band led by Willie Nelson's son Lukas Nelson, sounded sorta like tethered Crazy Horse albums. But without the free-fall unpredictability of Young's most reliable backing group of the past five decades, 2015's "The Monsanto Years" and the following year's embellished live record, "Earth", came off like more structured attempts to capture Young at his most unhinged and plugged in. Their third record, "The Visitor", is more of the same, and like "The Monsanto Years" and last year's "Peace Trail", it's a political one, charged through a filter of recent news.

Lukas Nelson & Promise of the Real are known for their collaborations with illustrious folk-rock and blues figures such as Neil Young and B.B. King, and their frontman is the progeny of none other than the great Willie Nelson. This self-titled release is their fifth studio album and is resplendent with the “cowboy hippie surf rock” sound the band has become known for, rendered even more eclectic (yet still stunningly cohesive) by guest appearances from Lady Gaga (Find Yourself) and indie pop quartet Lucius (Set Me Down on a Cloud).