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Stephen Paulus was an astonishingly prolific fixture of the American music scene, with some 600 works to his credit. His sudden death in 2014 left classical music—particularly the worlds of opera and choral music—significantly the poorer, so it’s inevitable that we should see his legacy memorialised with new additions to the catalogue. Royal Holloway’s ‘Calm on the Listening Ear of Night’ sets Paulus’s music in dialogue with another Midwestern composer, René Clausen. It’s Clausen whose musical personality emerges most strongly here in these precise performances. His works offer a distinctively American spin on the fashionable Baltic sound world of Ešenvalds and Vasks that is as appealing as it is generous. In pace, which opens the disc, offers eight minutes of lushly filmic excess.

Fat Possum Records, the acclaimed, Mississippi-based label, has launched a new imprint devoted to gospel music: Bible & Tire Recording Company. The inaugural releases are a reissue of late-1960s and early-’70s material by Elizabeth King & The Gospel Souls, The D-Vine Spirituals Recordings, and an album of new recordings, The Sensational Barnes Brothers’ Nobody’s Fault But My Own.

2009 ten CD collection from the '80s Rockabilly/Pop superstar containing digitally remastered and expanded editions of all nine of his original Epic Records albums plus a bonus disc containing twelve inch single remixes of eight tracks. Each individual album is packaged in a mini LP sleeve and all 10 titles come housed in an attractive flip-top box. The studio albums included on this set all contain bonus tracks including non album singles. Contains the albums Take One!, This Ole House, Shaky, Give Me Your Heart Tonight, The Bop Won't Stop, Lipstick Powder & Paint, Let's Boogie, A Whole Lotta Shaky and There Are Two Kinds of Music…Rock'n'Roll.

Of all the British acts that started messing with the blues in the early '60s, the Animals always sounded the toughest and most committed to the cause. They didn't have a genius guitarist like the Yardbirds or the Bluesbreakers, and couldn't write memorable original material like the Rolling Stones, but Eric Burdon was one of the few singers in the U.K. whose guts and ferocity approached that of his influences (without sounding like he was simply copying what he'd heard), and the tough, no-nonsense attack of guitarist Hilton Valentine, bassist Chas Chandler, and drummer John Steel drove the Animals with style and power, while keyboard man Alan Price gave the band plenty of welcome melodic flair…

Private Space, the group’s third album, is a previously untapped vibe at the heart of The Indications. Pushing beyond the boundaries of the funk and soul on their previous releases, Private Space unlocks the door to a wider range of sounds and launches boldly into a world of synthy modern soul and disco beats dotted with strings. It’s an organic, timeless record that’s as fresh as clean kicks and familiar as your favorite well-worn LP. Developed after being apart for much of the year, Private Space is creatively explosive and delights in upending expectations. Its 10 tracks are both an escapist fantasy and a much-needed recentering after a tumultuous 2020. Throughout, The Indications highlight a collective resiliency – as well as the power of a good song to be a light in the darkness.