The listener is provided with all the ingredients required for post-rock fulfillment, all packaged in a way that is refreshing and inspiring. Here we find moments of thunderous drum work, massive, epic guitars, crescendos, and tremolo workouts, but most importantly we find variation and ingenuity. It is easy to create an album full of different musical styles, but YRTHAK provides variation which is not detrimental to its flow. Songs like "The Day Began Like A Fish" and "You are Dead" both embrace post-rock with swirling guitar lines, stunning dynamics and a huge, cavernous sound. Not only are these brilliant examples of how to make post-rock supreme, but they are also stunningly unique. Each song is different from the last, allowing the album to flow easily through styles with no fixed expectation.
Saxophonist Joe Lovano and trumpeter Dave Douglas debuted their extraordinary Sound Prints quintet on Blue Note Records in 2013, the year of Wayne Shorter’s 80th birthday, and from the outset the group had a joyful but somewhat imposing mandate: to lift up Shorter’s legacy through the writing and performance of new music conceived in his risk-taking, fearlessly inventive spirit. Supported by a powerful multi-generational lineup of pianist Lawrence Fields, bassist Linda May Han Oh and drummer Joey Baron, the group debuted with Sound Prints: Live at Monterey Jazz Festival, which included world-premiere performances of two brand-new Shorter pieces.
Arkestra bandleader Marshall Allen presents Sun Ra classics and rarities. Includes previously unreleased track 'Trying To Put The Blame On Me' + previously unissued versions of 'Reflects Motion' and 'Island In The Sun'. As the longest-tenured member of the Arkestra (55-plus years and counting as of 2014), there is no one with a deeper understanding of the music of Sun Ra than Marshall Allen, and that's part of what makes In the Orbit of Ra such a special collection. The Arkestra's long history is often divided into musical/geographic periods or spoken of as a progression from inside to outside playing. This set spans from the late '50s to the late '70s but the non-chronological sequencing shows how artificial those stylistic boundaries are.
This album was composed by German cult favorite Peter Thomas and contains the score for Erinnerungen an Die Zukunft, a documentary based upon a best-seller by Erich Von Daniken that proposed the theory that mankind's ancestors were aliens who landed on this planet centuries ago. The resulting soundtrack album is not easy for the listener to assimilate, primarily because it consists of two side-long medleys patched together from several unrelated musical cues. The medleys aren't arranged in a smooth, flowing fashion, and the album probably would have made an easier listen if it had been broken down into a better programmed set of individual tracks. Programming quibbles aside, Chariots of the Gods (Erinnernungen an Die Zukunft) is still pretty impressive…
Bassist and composer Milo Fitzpatrick (Portico Quartet) launches new collaborative project with saxophonist Jordan Smart (Mammal Hands).
This CD invokes the presence of the divine mother. I listend to this CD while at a week long silent meditation retreat. It filled me with a gentle joy, peace and immense loving kindness. It is very calming, gentle and nurturing. It features the following songs: Ganesh Invocation, Devi Prayer and Lalitha Ashtotram, which is a Sanskrit mantra of the 108 sacred names of the mother divine. ~ Brad VanAuken