STORM AT SUNRISE was an unusual progressive/hard rock band from Texas. It was founded by multi-instrumentalist Dave GRYDER, a musician who previously played drums and sang in metal bands Morning Thunder [with future Underground Railroad guitarist Bill Pohl], Heaven's Force, and Rotting Corpse. After leaving Corpse, GRYDER started his solo career as a symphonic prog keyboardist under the moniker "Covenant" and released one album in 1992, 'Nature's Divine Reflection'. Around the turn of 2000, he created band STORM AT SUNRISE together with guitarist Ernie MYERS [previously in symphonic prog band HANDS] & bassist John CHESTERFIELD. GRYDER took on keys, drums & vocal duties and consequently STORM at SUNRISE never played concerts, becoming primarily a studio act.
Picture this: a big storm is brewing overhead. You’re careening through the backroads of rural Iceland, trying desperately to catch your flight out of Reykjavik as the skies darken behind you. You’ve just had one of the best songwriting sessions of your life, in a farmhouse deep in the Icelandic countryside, but none of that matters now. You’ve found yourself in a race against time to get all your work to the next studio and continue working on your album—one that just might turn out to be one of the most important of your entire career.
Damien Jurado’s latest album, In The Shape Of A Storm — the follow-up to last year’s The Horizon Just Laughed — comes out at the end of this week. Jurado’s album’s are often loosely pulled together by some grand thematic concept, but In The Shape Of A Storm is more defined by its lack of one. It was recorded during the course of a single afternoon in California, where the longtime Pacific Northwest resident recently moved, and if anything, it’s a meditation on loss. When Jurado recorded it, his frequent collaborator Richard Swift hadn’t yet died, but the album feels like it’s anticipating that absence, considering the unadorned way in which it was put together.
On U2360° between 2009 and 2011, the band played 110 shows in 30 countries to 7 million people. There were at least 22 songs in the show every night, but over 26 months the set list was continually reinvented. By the last night more than fifty songs had featured, stretching from 2009's No Line On The Horizon all the way back to 1980's debut Boy.
Requiem for the Indifferent is the fifth studio album by Dutch symphonic metal band Epica. It was released on 9 March 2012. It was the final album to feature original member Yves Huts on bass guitar. According to Mark Jansen, "This title refers to the end of an era. Mankind can no longer stick their head in the sand for the things that are happening around us. We are facing many challenges. There is an enormous tension between different religions and cultures, wars, natural disasters and a huge financial crisis, which is getting out of control. More than ever we will need each other to overcome these problems. As we are all connected; the universe, earth, nature, animals and human beings, this period in time will be the prelude to the end for those who still don't want to, or simply won't see it. A Requiem for the Indifferent but also a possibility for a new beginning with great new chances!"