The Terrr

Spacing Out is an instrumental masterpiece only ever issued in Bermuda at the turn of 1970. A mix of the band's out-there original compositions and extravagant covers of The Meters, The Temptations, Aretha Franklin and The Isley Brothers, it established this band as one of the greatest instrumental bands of any genre, and helped kickstart the retro-soul/funk scenes that birthed the likes of Daptone and Big Crown Records. It's certainly a lodestar for Now-Again Records. This reissue was done with the license and participation of the entire Invaders band, with their story told in great detail in an oversized booklet penned by Jefferson "Chairman" Mao, complete with rare photos of this rarely seen ensemble.

Deluxe 2xLP clothbound sleeve edition of ‘Car Button Cloth’, featuring Lemonheads classics ‘If I Could Talk I’d Tell You’ and ‘The Outdoor Type’. This reissue includes the original record alongside a whole extra LP of rarities and unreleased cuts, continuing Fire Records in-depth series of reissues from the legendary band. ‘Car Button Cloth' is an extraordinary affair of musical and emotional extremes, a soundscape spanning “the most beautiful piano-led mourning in the history of the broken heart” that switches into perky jangle-pop for fleeting moments and contains the ultimate self-deprecating classic ‘The Outdoor Type’, penned by Smudge cohort Tom Morgan, as well as a cover of the bluegrass standard ‘Knoxville Girl’ and ‘If I Could Talk I’d Tell You’ co-written with The Vaselines’ Eugene Kelly. All bases are covered.

Jazz Impressions of the U.S.A. is a studio album by Dave Brubeck Quartet.

Includes a 12-page picture booklet. The pictures used in it are from the "Disintegration" 1989/90 era : Roger O'Donnell appears but doesn't play here.Some back sleeve credits are wrong or missing, the booklet credits come from the Wish album, track 2-11 duration is incorrectly listed as 19:54.All corrected above.An incomplete version of this show is also available on the 2CD "At The Edge Of The Deep Green Sea".

Vienna/Libro Hall/April, 11th, 2000

Mike Scott had been pursuing his grandiose "big music" since he founded the Waterboys, so it came as a shock when he scaled back the group's sound for the Irish and English folk of Fisherman's Blues. Although the arena-rock influences have been toned down, Scott's vision is no less sweeping or romantic, making even the simplest songs on Fisherman's Blues feel like epics. Nevertheless, the album is the Waterboys' warmest and most rewarding record, boasting a handful of fine songs ("And a Bang on the Ear," the ominous "We Will Not Be Lovers," "Has Anybody Here Seen Hank?," and the title track), as well as a surprisingly successful cover of Van Morrison's breathtaking "Sweet Thing."[Fisherman's Blues was reissued in 2006 with a bonus disc containing 14 outtakes, alternate versions, and late-night studio jams. It was reissued again in 2013 as a seven-disc box set featuring 121 tracks from the album sessions, 85 of which had been previously unavailable.]

(2015/Raven) 51 tracks, all 4 original 60s albums, plus bonus mono singles and non-LP singles. The CD comes with a nice and well-illustrated booklet incl. biographical and discographical data!