The Textorcist: The Story of Ray Bibbia Free Download (v2.6.1.0.2)

The Goldberg Variations, BWV 988, is a musical composition for keyboard by Johann Sebastian Bach, consisting of an aria and a set of 30 variations. First published in 1741, it is named after Johann Gottlieb Goldberg, who may also have been the first performer of the work. The story of how the variations came to be composed comes from an early biography of Bach by Johann Nikolaus Forkel: (For this work) we have to thank the instigation of the former Russian ambassador to the electoral court of Saxony, Count Kaiserling, who often stopped in Leipzig and brought there with him the aforementioned Goldberg, in order to have him given musical instruction by Bach. The Count was often ill and had sleepless nights. At such times, Goldberg, who lived in his house, had to spend the night in an antechamber, so as to play for him during his insomnia.

To tell the story of Ray Charles is to tell the story of a song genius touched, from his earliest childhood, by Grace. Like an alchemist, all melodies borrowed or created by this pianist-singer-composer-arranger turn into gold. We understand the nicknames that the American showbiz will give him, "the Genius" or " the High Priest of Soul ", but none will surpass the one that his friends musicians gave him : "Brother Ray", a nickname that tells the strength and intimacy that emerges from his voice nourished at the sources of blues and jazz.

Citadel Records, a division of BSX Records, presents FRANZ WAXMAN: LEGENDARY HOLLYWOOD VOL. 4, featuring music from several films from the composer’s lengthy filmography, focusing on Epic and Fantasy centered films. The music is performed by the Queensland Symphony Orchestra, conducted by Richard Mills.

The Dudok Quartet Amsterdam embarks on a traversal of three String Quartets by Tchaikovsky. This is the first of two volumes containing String Quartet’s 1 & 2.

The Supremes got off to a slow start in the early 1960s, but their name soon became a self-fulfilling prophecy. Synonymous with virtually every term with which they're classified – Motown act, girl group, pop-soul, and soul, absolutely soul – their unparalleled legacy was built by Florence Ballard, Mary Wilson, and Diana Ross, the most successful of the group's many lineups. Partnered with the songwriting/production team Holland-Dozier-Holland, these three women topped the Billboard pop chart ten times from 1964 through 1967 with eternal classics such as "Where Did Our Love Go," "Baby Love," "Stop! In the Name of Love," and "You Keep Me Hanging On," and in the process set a new standard for glamour.