First part of two-film adaptation of Thea von Harbous novel "The Indian Tomb." The focus of the elaborate adventure film is a dramatic love triangle: Chandra, the Maharajah of Eschnapur, lives happily with his wife Sitha. But Sithas former lovers Sascha from Germany in the palace arises, the revival of passion between the two grounds for malicious intrigue. Prince Ramagani of secretly planning a coup d'etat, uses the occasion to the Maharajah of Sascha and Sitha raise. Both flee around the world to Berlin, constantly haunted by Chandra and his entourage.
Sherlock Holmes and Dr. Watson look into reports that a huge, vicious hound has killed Lord Charles Baskerville and that Lord Henry Baskerville is the next to be killed.
Deutsche Grammophon is lucky in that World War II didn't slow classical recordings in Germany as it did in the United States but stimulated them: It was essential for wartime morale. Thus, if you can get past any repugnance related to these recordings' genesis, there's a huge amount to enjoy. There's a disc of lieder by all the prewar greats (Franz Volker, Tiana Lemnitz, Erna Berger, and Heinrich Schlusnus), a disc of Wagner featuring young Hans Hotter, opera and operetta performances by Berger and Helge Roswaenge, and a disc showing how the German singers gave Italian opera a distinctively Nordic but highly communicative edge. The set is crowned by a complete Winterreise that was recorded by Peter Anders in 1945 (and sounds it): the cultivated tenor's anguished performance embodies a Germany facing the abyss. –David Patrick Stearns