Although western swing is a genre that will hopefully never die, it's rare that a new band comes along anymore that breathes as much new life into it as the Time Jumpers do. Not since the emergence of Asleep at the Wheel in the early '70s, in fact, has a group provided as much hope for the continuing vitality of this venerable all-American institution. Well, sort of new, that is: the band, whose membership has shifted considerably but settles in at 11 here, has been at it since 1998. Their weekly gigs at Nashville's Station Inn are legendary around Music City, and it's easy to see why: the Time Jumpers don't attempt to reinvent the wheel here, so to speak; instead, they get to the core of the music, brush off the dust, and remind us why it's been so universally loved for so long.
The House Jumpers bring you authentic up-tempo blues from America’s Heartland. The band’s great vocal melodies, big guitars, and jumpabilly grooves are designed for dancing. This album is true American music, combining jump blues and rockabilly flavors, by a powerful new band from USA. This music was born in American cities such as Memphis, New Orleans, New York, Dallas, Los Angeles, San Diego, and Kansas City. Early versions of jump blues featured horns, but well-known guitarists, such as T-Bone Walker, pioneered the addition of electric guitar to swing and jump music after WWII. Rockabilly music emerged during the same time through the marriage of rural country music to blues and swing rhythm.
Though Michael Feinstein remained in the public eye throughout the latter half of the 2010s, performing live and appearing intermittently as a presenter on the Turner Classic Movies network, the onetime Ira Gershwin archivist went nearly a decade without releasing any albums. It was his first gap of more than two years since his 1987 studio debut, Pure Gershwin. He comes back to key influences George and Ira Gershwin, for more than the first time, on his return, 2022's Gershwin Country. A set of 11 duets, each with different guests, it navigates timeless romantic ballads and what prove to be playfully old-fashioned, vaudeville-esque takes with giants of country music (and one with album executive producer Liza Minnelli).
Country music icon Kenny Rogers offers up his first Christmas collection since 1998's Christmas from the Heart. His sixth holiday-themed album overall, Once Again It's Christmas features a number of guest performers including Alison Krauss, Sugarland singer Jennifer Nettles, vocal group Home Free, pianist Jim Brickman, and country-pop duo Winfield's Locket. The festive collection marks Rogers' return to recording holiday music, a genre he's been quite close to over the years both sentimentally and commercially.
28 slices of down’n’dirty blues from the Deep South – including eight previously unheard tracks and takes. The “By The Bayou” series leaps to Volume 18 with a return to the blues of South Louisiana, bringing you rare or previously unissued tracks from stars of the genre such as Lightnin’ Slim, Lazy Lester and Slim Harpo, plus a host of little-known or completely unknown performers. We also have two artists who you would never think performed in the downhome style – Barbara Lynn and Cookie (aka Huey Thierry) – but who sound right at home, with an unknown harmonica player setting the tone on Barbara’s track whilst Cupcakes guitarist Marshall Laday supports Cookie with some mean blues pickin’. In fact there are several tracks here that will have air-guitar virtuosos reaching for their imaginary axes.