The Town Where Only I Am Missing

While this two-CD collection does include all but one of his Top 40 hits, it's not quite the ultimate Johnny Rivers anthology, nor is it even the best double-CD "best of" devoted to the man. That honor still belongs to Rhino's Anthology, 1964-1977, a preferable compilation if you can find it. While almost all of Rivers' big, popular hits are on disc one of Secret Agent Man, most of disc two is devoted to tracks from obscure post-1990 releases, long after Rivers had last visited the charts.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

The Beatles’ revolver has become a new era album that uniquely identifies what it was. The music nature of the Beatles that extended the Oldies of the 50’s left the residue up to around “BEATLES FOR SALE”, the treatment of the world is idle, and actually “HELP” has “four people The idol “is given to the title. But the high artistic glimpse of that “HELP” was deepened with “RUBBER SOUL”, indicating that the Beatles were becoming an existence that does not fit within the idol category of one. Until then, I had been doing a tour in parallel with recording, but after stopping the tour in 1966, I will combine the styling of studio work and make ‘Sargent Peppers’. This album gets a high reputation both inside and outside, but it seems that “revolver” was the reason for its production. Indeed there are also reasons for time, but there are many songs that are difficult to reproduce on the stage with the technology at the time, without having played one song from the “revolver” at the stage. The “Paperback · Writer” which was the same period recording that was only released as a single was only played on the 1966 tour, “Rain” on the reverse side uses reverse rotation of the tape It was impossible. The Beatles must have perceived the real pleasure and entertainment of studio production with ‘revolver’. It should have thought that if it takes more time it will be able to create a more dense album. That was connected to Sargent Pepper’s discontinuance of the tour activity afterwards.

If you’re a Neil Diamond fan, the latest entry in our songwriter series is a no-brainer must-have. For starters, it collects 11 of the songs Neil wrote during the 1963-1969 timeframe that is its purview, but has never himself recorded. Among the numbers he gave away are the Monkees’ ‘Look Out (Here Comes Tomorrow)’ (heard here in the unique mix used on the original television broadcast) and Jay & the Americans’ ‘Sunday And Me’.

No, here's the ultimate Four Tops singles collection. Like Motown Select's 50th anniversary releases for the Temptations, Diana Ross & the Supremes, and Martha & the Vandellas, this is a three-disc anthology packaged like a hardcover book. It features nearly 60 pages of images, sleeve scans, detailed track information, and in-depth liner notes - much of which is sensibly repurposed from those like-shaped Complete Motown Singles volumes. The A-sides and B-sides appear chronologically - a terminally impressive sequence that includes the Top Five R&B singles "I Can't Help Myself (Sugar Pie, Honey Bunch)," "It's the Same Old Song," "Shake Me, Wake Me (When It's Over)," "Reach Out I'll Be There," "Standing in the Shadows of Love," and "Bernadette."

2013 limited edition box set of their complete Motown years 1969-1975 including 9 studio albums, a soundtrack, the rare Live in Japan album, Christmas album & three compilations.