The Trouble With Edward

Inspired by a UK bankcard ad and daring to encroach on the shadow of the Austin Powers franchise, this Bond film satire may well end up as The Spoof That Got Left in the Cold. But in perfect contrast to star Rowan Atkinson's broad physical humor, composer Edward Shearmur delivers a deliciously deadpan musical score that skewers the 007 canon from twangy-guitar main theme to romantic Euro interludes and action-packed chases. Anchored by Robbie Williams' suitably earnest mock Bond-song "A Man For All Seasons" and seasoned with evocative tracks of Moloko's electronica and the suitably named Bond's classics-meets-worldbeat sensibilities, Shearmur's score brings it all to a satisfying conclusion on "Agent No. 1," where the former Pink Floyd/Shakespeare's Sister sideman showcases his own considerable synth and keyboard skills.

The DVD is 3 hours long and It is by far the most comprehensive step-by-step training DVD on teaching a dog to retrieve that we have ever seen. It will replace both of our previous retrieval training DVDs.

This CD was the first CD ever by Eddie Taylor Jr and a tribute to his father Eddie Taylor! His brothers Larry and Tim are here, both on drums! All great Taylor hits are on this CD - from "Big Town Playboy" to "Bad Boy".

There is only a slight difference between a street-corner blues singer and a sanctified street singer, since both need to hold a crowd and make a few bucks (no matter what they do with the money when the day is done), and as this four-disc collection of so-called guitar evangelists from the 1920s, '30s, and early '50s makes clear, playing slide for the Lord sounds pretty much like playing slide for the other side. If anything, the guitar preachers represented here might be even more out there and eccentric than their secular counterparts, making this box set a delightful addition to the standard country blues record collection. Blind Willie Johnson, the apex of the guitar evangelists, is well represented here with classic late-'20s tracks…

Decca/London introduced Phase 4 Stereo in 1961. For classical music, the Phase 4 approach was based on miking every orchestra section individually, along with mics for selected instruments – up to a maximum of 20 channels, which were then mixed via a recording console. This resulted in a dynamic, in your face sound with relatively little hall ambience. The quality of the sound mostly depended on how skillfully the recording engineer balanced each channel – and the results were not always consistent. Thus, the Phase 4 sound was the antithesis of the minimally miked, “simplicity is wisdom” approach of the RCA’s early Living Stereo and Mercury’s Living Presence recordings, along with Telarc’s early digital recordings.

Edward Ka-Spel is a singer, songwriter and musician. He is probably best known as the lead singer, songwriter and co-founder (with Phil “The Silverman” Knight) of the prolific underground band The Legendary Pink Dots.