Documenting when trumpeter Clifford Brown was on the rise, the new collection covers his three 10-inch albums from 1953 - recorded with J.J. Johnson (Jay Jay Johnson with Clifford Brown), Lou Donaldson (New Faces New Sounds) and his own sextet (New Star On The Horizon) - plus legendary live Birdland recordings headlined by Art Blakey, in which Brown is featured along with Donaldson and pianist Horace Silver. While this collection presents the original 10-inch album sequences for the first time since the mid-1950s, the Birdland shows are presented in their original performance sequence for the first time ever.
This four-CD set has the exact same music as an earlier Mosaic five-LP box, but is highly recommended to those listeners not already possessing the limited-edition set. Trumpeter Clifford Brown is heard on the most significant recordings from the first half of his tragically brief career. Whether co-leading a date with altoist Lou Donaldson, playing as a sideman with trombonist J.J. Johnson, interacting with an all-star group of West Coast players, or jamming with the first (although unofficial) edition of Art Blakey's Jazz Messengers (a two-disc live performance with a quintet that also includes the drummer/leader, Donaldson and pianist Horace Silver), Brown is the main star.
This budget-priced three-disc Australian import – on RCA, so it's official – compiles Chet Atkins' work from the early '50s to about 1980. Basically, from the time he became "Mr. Guitar" to the end of his prime – though Atkins remained a monster guitarist until his death in 2001. You would have to know Atkins' music to get any of this because, besides a track listing and a cursory essay on how great he was, there is literally no discographical information provided here. Still, there's enough of his well-known material here for any fan to sit up and take notice, such as "Mr. Sandman," "Barbershop Rag," "Hot Toddy" and "It Don't Mean a Thing (If It Ain't Got That Swing)," both with Les Paul, "Teensville," "Sleepwalk," "Terry on the Turnpike" with Boots Randolph, "Make the World Go Away," "Rocky Top," "Tennessee Stud" and "Mystery Train," both with Jerry Reed, and of course, the amazing "Do I Ever Cross Your Mind" with Dolly Parton. The vast majority, of course, are instrumentals by Atkins.