The Ventures History Box Vol. 1 2 (japanese Edition) (1992)

Japan exclusive live album set release from Deep Purple. Disc 1 contains 13 live tracks, including "Smoke on the Water" and "Black Night" performed at Hellfest (2017, France). Disc 2 contains 14 tracks, including "Highway Star" and "Strange Kind of Woman" as well as rehearsal track(s) and radio edit version(s).

Box set from WARLORD includes reissues of their three original albums, each featuring the latest remastering, SHM-CD format, and cardboard sleeves. Also comes with a DVD with entire footage of a gig held in 1984.

Orianthi Panagaris, known professionally as Orianthi, is an Australian musician, singer and songwriter known for performing with Michael Jackson as part of his ill-fated This Is It concert series, and with Alice Cooper's touring band. Her debut single "According to You" peaked at No. 3 in Japan, No. 8 in Australia and No. 17 in the US; her second album, Believe, received a worldwide release in late 2009. In 2009, Orianthi was named one of the 12 Greatest Female Electric Guitarists by Elle magazine. She also won the award as "Breakthrough Guitarist of the Year" 2010 by Guitar International magazine.

Former Styx frontman Dennis DeYoung is back with his sixth original solo studio, album "26 East: Volume 1.” “26 East” was the address where DeYoung grew up in Roseland on the far south side of Chicago. This is where Styx was formed in his basement in 1962. Across the street lived the Panozzo twins, John and Chuck, who along with DeYoung would go on to form the nucleus of the band. The cover artwork features three locomotives traveling through space, representing the original members leaving Chicago on their journey to the stars. “On this, I decided to write songs about my journey from humble beginnings in my basement on Chicago’s far-south side to the very top of my chosen profession,” the singer states.

This set was recorded in the studio on 4/4/56, one month before the classic "Round About Midnight at the Cafe Bohemia." The fellow Prophets are J. R. Monterose, the diminutive tenor saxist of the Sonny Rollins style of blowing; Dick Katz, a very busy pianist these days who continues to grow in stature; Sam Jones, bass and Arthur Edgehill, drums.
The group’s namesake opens with a minor-keyed unison line. The second and last eight bars have a chord sequence somewhat similar to All God's Chillun Got Rhythm. The theme is followed by eight bars of what George Wallington calls “the peck” (short, staccato-phrased interplay between the two horns).
The walking Blues Elegante’ has a twelve bar opening by Dick Katz and twenty-four of Sam Jone’s big-toned bass. The two horns follow with the rather unusual theme, Kenny playing muted…

Stanley Turrentine was just beginning to turn heads in jazz circles in the early '60s when he made an appearance at Minton's with guitarist Grant Green, pianist Horace Parlan, bassist George Tucker, and drummer Al Harewood. The group mixes hard bop with funk and soul jazz; Turrentine's tone, sound, and pacing are good, although he wasn't yet the master at ballads he would be later in his career. Standards and a couple of blues make up the repertoire, giving listeners a definitive look at the soulful Mr. T. near the beginning of his productive musical life.

The Best Of Manfred Mann's Earth Band is a compilation album released in 1993 by Manfred Mann's Earth Band. After a very successful period in the 60's with the pop group named after him and a much less successful intermezzo in Jazz with Chapter Three, the South-African born keyboardist Manfred Mann turned towards Rock music. In 1971 he formed Manfred Mann's Earth Band (MMEB). Mann's use of the Moog synthesizer was key to the sound of this band. MMEB had a very successful area during the mid 70's and early 80's but was disbanded by Mann in 1987 after being fed up with trying to produce hit records. He started a project which was based mostly on the music of Native American Indians named Manfred Mann's Plain Music and which released one album. After this Mann reformed the MMEB in 1991 and was starting again to release records with them occasionally but also to be a regular live band with extensive tours mostly in Europe until today.

Ella Fitzgerald had the ability to personalize some of the most recognizable material from the foremost songwriters in American popular music history. In this instance, the combination of Cole Porter's words and Fitzgerald's interpretation of them created one of the most sought after sessions in vocal history - embraced by jazz and pop fans alike, transcending boundaries often associated with those genres. Originally released in 1956 on the Verve label, such standards as "Night and Day," "I Love Paris," "What Is This Thing Called Love," "I've Got You Under My Skin," "You're the Top," and "Love for Sale" secured one of Ella Fitzgerald's crowning moments. The success of these early Porter (and previous Gershwin) sessions brought about numerous interpretations of other songbooks throughout the next several years including those of Rodgers and Hart, Duke Ellington, Johnny Mercer, Harold Arlen, and Irving Berlin.