The Very Best Of Mtv Unplugge

Released for Christmas 2003, this collection of John Lennon's solo songs was prepared – with the substantial involvement of Yoko Ono – expressly for DVD. ..

Since Rhino released an exhaustive four-disc ZZ Top box in October 2003, some may question the appearance of a double-disc retrospective in June 2004, a mere eight months after the box set. The two may be released awfully close to each other, but they do play to different audiences – in other words, there are a bunch of fans who want all the hits, but not a full box set, and that's what the 38-track Rancho Texicano: The Very Best of ZZ Top delivers…

This is a great reminder of what the best 1980s pop/rock sounded like. It includes most of Pat Benatar's hits, with the unfortunate omission of I Need A Lover, the passionate melodic churner from 1979. It also includes her best album tracks like the poignant Hell Is For Children but her excellent version of Kate Bush's Wuthering Heights is missing. Benatar specialised in powerful rock numbers with strong power chords and catchy hooks, delivered to full effect in her belting voice, like Heartbreaker, Hit Me With Your Best Shot and Love Is A Battlefield. In this sense Benatar was something like a female Meat Loaf and in fact not too far from Bonnie Tyler. But there were also the quiter songs in a more tender voice, like the synth-driven We Live For Love, a pop classic. With 18 tracks, this is a better compilation than Best Shots with its 15 tracks.

"Tell The World: The Very Best Of Ratt" is a career-spanning compilation album featuring twenty tracks from all seven of Ratt's albums, including their quartet of consecutive platinum LPs from the mid-to-late-'80s: Out of the Cellar, Invasion of Your Privacy, Dancing Undercover and Reach for the Sky, plus their 1990 album Detonator and their self titled 1999 album.

Scottish-born singer Jimmy Somerville became a surprise success in the mid-'80s. Instead of being Duran Duran-cute, Jimmy Somerville looked like the average boy next door. Instead of belting out his musical repertoire with a self-conscious urgency to prove himself as a singer (like Rick Astley or George Michael), Somerville possessed a dramatic, piercing falsetto that made the Associates' Billy Mackenzie sound like Tom Waits. But what really made Jimmy Somerville distinctive was his openness about his sexuality. The 1980s was the decade of androgyny, with artists like Annie Lennox, Boy George, and Poison emulating the gender-bending approach of 1970s-era David Bowie. Other performers such as Morrissey and the aforementioned George Michael kept their fans guessing about their sexual orientation.

Scottish-born singer Jimmy Somerville became a surprise success in the mid-'80s. Instead of being Duran Duran-cute, Jimmy Somerville looked like the average boy next door. Instead of belting out his musical repertoire with a self-conscious urgency to prove himself as a singer (like Rick Astley or George Michael), Somerville possessed a dramatic, piercing falsetto that made the Associates' Billy Mackenzie sound like Tom Waits. But what really made Jimmy Somerville distinctive was his openness about his sexuality. The 1980s was the decade of androgyny, with artists like Annie Lennox, Boy George, and Poison emulating the gender-bending approach of 1970s-era David Bowie. Other performers such as Morrissey and the aforementioned George Michael kept their fans guessing about their sexual orientation.