The Visual Arts in Germany, 1890 1937: Utopia And Despair Shearer Wes

This book examines the impact of states and their policies on visual art. States shape the role of art and artists in society, influence the development of audiences, support artistic work, and even affect the very nature of artistic production. The book contrasts developments in the United States with art policies in Britain and in the social democratic states of Norway and Sweden. In addition, it analyzes revealing transitions - the changes brought about in East Germany after unification and the experiences of artists who left the Soviet Union for the west. The result is a significant contribution to the sociology and the political economy of art.

A Cultural History of Latin America brings together chapters from Volumes III, IV, and X of The Cambridge History of Latin America. The essays place Latin American literature, music and visual arts in historical context, from the early nineteenth century through the late twentieth century.

The third in a series that examines the state of the arts in America, this analysis shows, in addition to lines around the block for special exhibits, well-paid superstar artists, flourishing university visual arts programs, and a global expansion of collectors, developments in the visual arts also tell a story of rapid, even seismic change, systemic imbalances, and dislocation…

What is the nature of light? How does an artist’s selection and use of colorants determine how we experience a work of art? What can visual illusions tell us about the nature of perception? In what ways do the laws of optics manifest themselves in the visual arts?