The Walking Dead S11e05

is an American monthly black and white comic published by Image Comics beginning in 2003. The comic was created by writer Robert Kirkman and artist Tony Moore (replaced by Charlie Adlard from issue #7 onward) and chronicles the travels of a group of people trying to survive in a world stricken by a zombie apocalypse. Thus far the series has been divided into 6-issue story arcs, with issue #60 being the conclusion to the 10th story arc entitled, "Those Left Behind."

For those who have not yet read this series: the best way--as always--is to start from the very first issue. The grows more absorbing as it goes, revealing more exciting and complicated reasons to want to follow a story where, in a zombie-infested apocalyptic hell, the few surviving humans somehow prove with increasingly horrific means that they are, truly, more monstrous than the undead. As an IGN reviewer avers, "If there is better, more consistently thoughtful character work going on anywhere in mainstream comics, I'd like to see it. Kirkman is a master at peeling away layers of a character's psyche, and Charlie Adlard has the expressive chops to convey those complex emotions." It consistently remains the best ongoing comic series today. For ages 16 up.

I may be running out of superlatives to describe . So I'll just repeat what I've previously said, for the benefit of those who have not yet read this series: The best way--as always--is to start from the very first issue. The grows more absorbing as it goes, revealing more exciting and complicated reasons to want to follow a story where, in a zombie-infested apocalyptic hell, the few surviving humans somehow prove with increasingly horrific means that they are, truly, more monstrous than the undead. As an IGN reviewer avers, "If there is better, more consistently thoughtful character work going on anywhere in mainstream comics, I'd like to see it. Kirkman is a master at peeling away layers of a character's psyche, and Charlie Adlard has the expressive chops to convey those complex emotions." Indeed comics reviewers have been regularly giving each new issue ratings from "Very Good" to "Outstanding". In the case of IGN, an Editor's Choice Award is the norm rather than the exception. Following IGN's ratings system, I'd give the entire series an "Incredible" 9.8 out of 10. . Apparently from the general acclaim, a whole lot of people think so, too.

I may be running out of superlatives to describe . So I'll just repeat what I've previously said, for the benefit of those who have not yet read this series: The best way--as always--is to start from the very first issue. The grows more absorbing as it goes, revealing more exciting and complicated reasons to want to follow a story where, in a zombie-infested apocalyptic hell, the few surviving humans somehow prove with increasingly horrific means that they are, truly, more monstrous than the undead. As an IGN reviewer avers, "If there is better, more consistently thoughtful character work going on anywhere in mainstream comics, I'd like to see it. Kirkman is a master at peeling away layers of a character's psyche, and Charlie Adlard has the expressive chops to convey those complex emotions." Indeed comics reviewers have been regularly giving each new issue ratings from "Very Good" to "Outstanding". In the case of IGN, an Editor's Choice Award is the norm rather than the exception. Following IGN's ratings system, I'd give the entire series an "Incredible" 9.8 out of 10. . Apparently from the general acclaim, a whole lot of people think so, too.

For those who have not yet read this series: the best way--as always--is to start from the very first issue. The grows more absorbing as it goes, revealing more exciting and complicated reasons to want to follow a story where, in a zombie-infested apocalyptic hell, the few surviving humans somehow prove with increasingly horrific means that they are, truly, more monstrous than the undead. As an IGN reviewer avers, "If there is better, more consistently thoughtful character work going on anywhere in mainstream comics, I'd like to see it. Kirkman is a master at peeling away layers of a character's psyche, and Charlie Adlard has the expressive chops to convey those complex emotions." It consistently remains the best ongoing comic series today. For ages 16 up.

is an American monthly black and white comic published by Image Comics beginning in 2003. The comic was created by writer Robert Kirkman and artist Tony Moore (replaced by Charlie Adlard from issue #7 onward) and chronicles the travels of a group of people trying to survive in a world stricken by a zombie apocalypse. The series has been divided into 6-issue story arcs. Issue #66 concludes the 11th story arc entitled, "Fear The Hunters." It is also one of, if not the, most chilling issues ever. And it may yet be the most brilliant and finest work Kirkman and Adlard have done together as a creative team, so much so that IGN has given issue #66 an "Outstanding" 9.2 rating and an Editors' Choice Award for the comics week of October 14, 2009. As I have always been saying, IMHO the best among all the comic book series currently ongoing.

is an American monthly black and white comic published by Image Comics beginning in 2003. The comic was created by writer Robert Kirkman and artist Tony Moore (replaced by Charlie Adlard from issue #7 onward) and chronicles the travels of a group of people trying to survive in a world stricken by a zombie apocalypse. IMHO the best among all the comic book series currently ongoing.

The Walking Dead is an American monthly black and white comic published by Image Comics beginning in 2003. The comic was created by writer Robert Kirkman and artist Tony Moore (replaced by Charlie Adlard from issue #7 onward) and chronicles the travels of a group of people trying to survive in a world stricken by a zombie apocalypse. IMHO the best among all the current comic book series ongoing.

As I've already said, for those of you who faithfully follow this series nothing I can say here will ever approach the utter intellectual delight and base sense of dread and foreboding you feel when you read the actual comic book itself. And for those who have yet to read it, I believe the best way--as always--is to start from the very first issue. grows more absorbing as it goes, revealing more exciting and complicated reasons to want to follow a story where, in a zombie-infested apocalyptic hell, the few surviving humans somehow prove with increasingly horrific means that they are, truly, more monstrous than the undead. As an IGN reviewer avers, "If there is better, more consistently thoughtful character work going on anywhere in mainstream comics, I'd like to see it. Kirkman is a master at peeling away layers of a character's psyche, and Charlie Adlard has the expressive chops to convey those complex emotions." Indeed IGN again bestows on issue #68 an "Outstanding" 9.1 out of 10 rating and its Editor's Choice Award. Following IGN's ratings system, I'd give the series an "Incredible" 9.8 out of 10. Hands down consistently the best ongoing comic series today.