The Waterdance (1992)

This is the album debut from the Nash Ramblers, Emmylou Harris' acoustic backing band featuring Sam Bush and Roy Huskey, Jr., recorded over three nights in the former home of the Grand Ole Opry. Harris' choice of songs strikes a balance between hillbilly classics and folk-influenced rock, with Bill Monroe receiving the heaviest tribute but sharing space with Tex Owens, Bruce Springsteen, and John Fogerty.

Music or Movie? The big picture in "Waitin' For Your Call" reminds you of a b/w Bogard movie, the lover waitin' at the phone, late at night, excuses, love, hate, drama. "Good Morning L.A." is just that: sunny, jazzy good and mellow. "Where are You" in both versions memorable, the vocals right on. "Syntasia" a hommage to the powerful sounds of Keith Emerson and to Eddie Jobson's brilliance.

Elton John once claimed that he could remember The One among his latter-day albums because it was the first he recorded without drugs or alcohol. If true – and there's no reason to doubt him – that could be the reason why this has more character than most of his albums since the early '80s, holding together well in its deliberately measured, mature songcraft by Elton and Bernie Taupin…

Elton John once claimed that he could remember The One among his latter-day albums because it was the first he recorded without drugs or alcohol. If true – and there's no reason to doubt him – that could be the reason why this has more character than most of his albums since the early '80s, holding together well in its deliberately measured, mature songcraft by Elton and Bernie Taupin…

THE CELTS is the 1992 re-release of a 1987 album simply titled ENYA, containing 15 selections originally composed for a BBC series of the same name. Although a number of the tracks sound dated, several others, including "To Go Beyond (II)" are notable for how they locate the origins of the classic Enya sound, far removed from earlier Celtic efforts…

The Way We Walk, Volume One: The Shorts is the fourth live album by British band Genesis. Eight songs were recorded live on the 1992 We Can't Dance tour, with the remaining three recorded on the 1986–87 Invisible Touch tour. While the album centres on Genesis' shorter and commercial songs, a companion piece, The Way We Walk, Volume Two: The Longs focuses on their lengthier material. The shared title of the two releases refers to the phrase "the way I walk," which appears in the lyrics to two different songs, "I Can't Dance" on Volume One, and "I Know What I Like" on Volume Two.

Lindsey Buckingham quit Fleetwood Mac after the release of their Tango in the Night album in 1987 and spent the subsequent five years working on his first post-Mac solo album, Out of the Cradle. Perhaps because he was now focused on his solo career, Buckingham reined in the experimental style of his first two albums, producing more conventional, accessible material, much of it similar to his later work with Fleetwood Mac…

Keep the Faith reintroduced Bon Jovi after almost four years of side projects and hiatuses. The musical climate had shifted considerably in that time, a fact that wasn't lost on the band. Faith blatantly brought to the surface the Bruce Springsteen influence that was always lurking in Bon Jovi's sound, and used it to frame Faith's more serious interpretation of the band's pop-metal groove…

The best contemporary Shaw offering, cut in his old Mississippi stomping grounds with his trusty combo, the Wolf Gang. Lots of lyrically unusual originals - "Dunkin' Donut Woman," "Wine Head Hole," and "She Didn't Tell Me Everything," for starters - and Shaw's usual diamond-hard horn lines and commanding vocals make this a standout selection.