There's no mistaking Tony Joe White's signature swamp boogie. Patented in the late '60s, White has been working that same low-down blues grind ever since, taking a long sojourn from recording in the '80s before settling into a regular groove sometime around the time of the new millennium. Usually, these collections of new songs were on tiny labels – including his aptly named Swamp imprint – but 2013's Hoodoo appeared on Yep Roc and received an appropriately larger push than its recent predecessors.
Though Les Rallizes Denudes, also known as Hadaka no Rallizes, were one of the earliest and most revolutionary Japanese psychedelic rock bands, and have existed off and on through four decades, they are also one of the most obscure, barely known even in their native country. This cult of noise terrorists shrouded themselves in mystery, seldom touring and releasing very few records, usually with no discernible label. Their sound presages the later psychedelic experimental noise of Fushitsusha, High Rise, and others in the current crop more than any other Japanese psychedelic group from the late '60s…
The first of what's promised to be many trips into Huey P. Meaux's deep vaults, Ace's 2013 compilation South Texas Rhythm 'N' Soul Revue is an unfettered delight, collecting 24 sides released on the Jet Stream, Tear Drop, Eric, Cascade, Pacemaker, Boogaloo, and Trinity imprints between 1962 and 1973, adding three previously unissued numbers for good measure. Hits aren't the name of the game here, nor are there too many household names: Big Walter Price (not Big Walter Horton), Johnny Adams, Johnny Copeland, and Barbara Lynn (the latter represented with a demo of "You'll Lose a Good Thing") are the names that could possibly spark recognition, but even these are better-known by aficionados, not trainspotters.
This collection of 200 of the most influential music videos in Britain 1966 to 2016 is the result of a three-year University research project run in partnership with the British Film Institute and the British Library. The collection has been put together by a team of researchers in collaboration with a panel of over one hundred directors, producers, cinematographers, editors, choreographers, colourists and video commissioners from the business. Each video has been selected because it represents a landmark in music video history - a new genre, film technique, post-production method, distribution channel, or other landmark…
Features 24 bit digital remastering. Comes with a description. The Jazz Makers: Art Ellefson (tenor saxophone), Ronnie Ross (alto and baritone saxophones), Stan Jones (piano), Stan Wasser (bass), Allan Ganley (drums) recorded in New York, September 23, 1959. What ever happened to The Jazz Makers? In 1959, the British jazz quintet The Jazz Makers came second in the British Melody Maker journal reader’s poll small jazz combo section, beating even the Tubby Hayes and Ronnie Scott’s Jazz Couriers. They first established a US presence in 1958, appearing at the Newport Jazz Festival, and subsequently touring on the same bill as Thelonious Monk, where they caught the ear of Atlantic boss Nesuhi Ertegan. He brought them into a New York studio to record this album, The Swinging Sounds of The Jazz Makers, Atlantic 1333. Ronnie Ross went on to receive a Downbeat magazine New Star award.