Spread over four discs, this set contains every released recording the Yardbirds made under the leadership of their manager Giorgio Gomelsky from 1963 to 1966…
A 2CD set from organ supremo Brian Auger that includes the 1969 album Streetnoise, produced by Giorgio Gomelsky and featuring Julie Driscoll and Trinity, plus sixties compilation The Mod Years.
The final collaboration between singer Julie Driscoll (by that time dubbed as "The Face" by the British music weeklies) and Brian Auger's Trinity was 1969's Streetnoise - it was an association that had begun in 1966 with Steampacket, a band that also featured Rod Stewart and Long John Baldry. As a parting of the ways, however, it was Trinity's finest moment. A double album featuring 16 tracks, more than half with vocals by Driscoll, the rest absolutely burning instrumentals by Trinity…
Eric Clapton has become one of Britain's most successful guitar heroes of the last three decades, a writer, singer and performer who has consistently produced quality singles and albums which have sold millions around the globe, and whose live shows are always guaranteed standing-room-only events. Clapton has now been a solo performer for so long that it is easy to forget that his formative musical years were spent working with a variety of different blues bands, including John Mayall’s Bluesbreakers, Cream, Blind Faith, and not forgetting the legendary Yardbirds.
Mojo has compiled this bespoke compilation designed to soundtrack this month’s issue of the magazine. From artists that inspired The Who (Bo Diddley, Slim Harpo, Jimmy Reed, Eddie Cochran, Mose Allison) through to acts that emerged as their 60s Mod contemporaries (Small Faces, The Yardbirds, The Creation, The Action), and on to two Quadrophenia demo tracks culled from Pete Townshend’s own collection, this CD traces a distinct musical journey. It is, indeed, the route to Quadrophenia…
2CD set containing the biggest, boldest, booming voices of the 60s & 70s with a mixture of international and Australian artists. It contains classic songs from legendary artists and bands like Roy Orbison, Johnny Cash, Leonard Cohen, Small Faces, The Yardbirds, The Guess Who, Blood, Sweat & Tears and many more. It also features many Aussie rarities from SCRA, King Harvest, The Dave Miller Set, The Groop, Max Merritt & The Meteors, Jeff St. John, Jeff Duff and others - a total of 38 tracks. Compiled and annotated by Glenn A. Baker, noted Australian rock historian.
Tchaikovsky - almost alone - saw the possibilities of specially-composed music for the classical ballet, which was hugely popular in nineteenth-century Russia. His secret was to work closely with his choreographer and link music and dance routines at the outset: this proved vital to the stage action and the final success of the whole production. Swan Lake was the first, and Nutcracker the last of Tchaikovsky’s three ballet scores. Following the success of Sleeping Beauty came the request for another ballet, which eventually formed a double-bill with his opera Yolanta. Tchaikovsky agreed, unusually, that some of the Nutcracker music could be played at an orchestral concert before the ballet opened in St Petersburg. At the concert, an enthusiastic audience encored almost every number.
Though Alice Cooper's 1989 comeback gave him his first hit album in over a decade, the Trash record left some diehard fans disappointed, as did 1991's Hey Stoopid. Many listeners felt that Cooper had sold himself short, now completely focusing on sleazy sexual anthems, making him just another face in the heavy metal crowd. By the time The Last Temptation was released in 1994, the hair band fad that had fueled Cooper's return was dead, and Cooper was obviously aware of its downfall – the album sounds almost nothing like its two predecessors. Instead of relating to such albums as Motley Crue's Dr. Feelgood, Last Temptation seems more similar to Ozzy Osbourne's No More Tears. Thematically, the record returns to mostly conceptual songs, such as "Nothing's Free," "You're My Temptation," and "Cleansed by Fire." Though the album still has a few goofy interruptions, such anthems as "Lost in America" nonetheless boast more originality than anything off of Hey Stoopid or Trash. Far surpassing anything Cooper recorded in almost 20 years, The Last Temptation is unquestionably some of his best work.
One could easily make the case for designating the Masters Apprentices as the best Australian rock band of the '60s. Featuring singer Jim Keays and songwriter/rhythm guitarist Mick Bower, the band's earliest recordings combined the gritty R&B/rock of Brits like the Pretty Things with the minor-key melodies of the Yardbirds…