The Young'uns Strangers

The Smithereens already have a single-disc compilation, 1995's excellent Blown to Smithereens: The Best of the Smithereens. Released in 2004, From Jersey It Came! The Smithereens Anthology expands on that collection, taking 15 of its 16 songs (a cover of the Outsiders' "Time Won't Let Me" is left behind) and adding 24 other tunes, including their version of "Downbound Train" from a Bruce Springsteen tribute and a selection from 1999's God Save the Smithereens, for a grand total of 39 tracks over two discs…

Lola Versus Powerman And The Moneygoround, Part One is the eighth studio album by The Kinks, one of the most influential rock acts of all time, and was recorded and released in 1970. A concept album, it is a satirical appraisal of the music industry, including song publishers, unions, the press, accountants, business managers, and life on the road. This classic album appeared during a transitional period for the Kinks, and was a critical and commercial success. 50th anniversary Digipack CD release contains the original album new remaster from original HD master tapes plus alternate mono track versions and two new Ray Davies mixes. Features the hit singles Lola and Apeman. Produced in association with The Kinks, with audio and visual content curated by Ray Davies.

Night Moves was in the pipeline when Live Bullet hit, and wound up eclipsing the double live set anyway, so Stranger in Town is really the record where Bob Seger started grasping the changes that happened when he became a star. It happened when he was old enough to have already formed his character…

Gerry & the Pacemakers are fated to eternal comparisons to the Beatles, their onetime Merseybeat rivals who rapidly eclipsed the quartet in popularity and accomplishment, leaving them as something of a pop culture punchline. In the wake of the Beatles, it was hard to look back at Gerry Marsden and his irrepressibly cheerful music and think it was in the same league as the Fab Four, or any of the British Invasion groups that followed. That may be true, but Gerry & the Pacemakers shouldn't be judged against such R&B-schooled rockers as the Rolling Stones, the Animals, and the Kinks but rather against the stiff, starched rock & roll of pre-Beatles Britain. Compared to this prim, proper pop, the skiffle beats and bouncy melodies of Gerry & the Pacemakers seem fresh, almost serving as a bridge between formative English rock and the bright blast of the Beatles…