The Annotations on The Waterway Classic

Mega-Awesome Budgie Tribute disc featuring Janne Stark (Mountain Of Power) on guitar & Tony Spinner (Toto) on lead vocals & guitar. Both outstanding, seasoned hard rockers who land kick-ass authentic with true admiration & respect to re-create and shine a bright modern day musical light on the brilliant, classic retro-70s, heavy rock excellence of Budgie. The Bandolier Kings: "Welcome To The Zoom Club" disc is an amazing, outstanding musical document with an excellent group of killer special guests including original Budgie band members Tony Bourge & Steve Williams and also featuring a cast of bad-ass rockers from around the world who land on the mighty "Zoom Club". Prepare to dig deep and rock your ass off with the Bandolier Kings at this essential, brain-damaging, killer Grooveyard Records heavy guitar rock disc that celebrates the awesome music of Budgie.

This is the third and final volume in the complete recordings of Lil Green in chronological order as reissued by the Classics Blues & Rhythm Series. By 1947 Lil Green was beginning to sound more than a little like Ida Cox, even when handling songs from Tin Pan Alley rather than straight up out of the tried and true traditional blues repertoire. Comparisons could also be drawn between Lil Green and Nellie Lutcher or Julia Lee. While her "crossover" performances are worthwhile, there's nothing quite like hearing this woman savor the flavor of Bessie Smith hits like "Aggravatin' Papa," "Outside of That," and "You've Been a Good Old Wagon (But You Done Broke Down)." Green's own "Lonely Woman" has a powerful undercurrent running through it – there is even a remote possibility that Ornette Coleman was inspired by this record when conceiving his own composition of the same title in 1959. Even if the link is purely coincidental, these melodies have something wonderful in common. Green's final recordings for the Victor label are strengthened by the presence of tenor saxophonists Budd Johnson, Lem Johnson, and David Young.

Jackson Browne went on tour in 1977 with a remarkable group of musicians to create an album about the road, on the road. The result was Running On Empty, a musical portrait of life on tour that is as brutally honest as it is achingly beautiful. Paul Nelson wrote in his original Rolling Stone review of the album that "Browne has consciously created a documentary, as brightly prosaic as it is darkly poetic, with a keen eye for the mundane as well as the magical."

Jackson Browne went on tour in 1977 with a remarkable group of musicians to create an album about the road, on the road. The result was Running On Empty, a musical portrait of life on tour that is as brutally honest as it is achingly beautiful. Paul Nelson wrote in his original Rolling Stone review of the album that "Browne has consciously created a documentary, as brightly prosaic as it is darkly poetic, with a keen eye for the mundane as well as the magical."

Jackson Browne went on tour in 1977 with a remarkable group of musicians to create an album about the road, on the road. The result was Running On Empty, a musical portrait of life on tour that is as brutally honest as it is achingly beautiful. Paul Nelson wrote in his original Rolling Stone review of the album that "Browne has consciously created a documentary, as brightly prosaic as it is darkly poetic, with a keen eye for the mundane as well as the magical."

It took 53 years, but now, at last, The Beatles’ final public performance can be heard – with all the songs complete and uninterrupted. True, a split-screen sequence of the remarkable event on January 30, 1969, was the climax of Peter Jackson’s epic Get Back trilogy. But the film’s fascinating cutaways to the drama unfolding at ground level meant the music on the roof was not always in the foreground. Finally, a new mix by Giles Martin and Sam Okell presents virtually every second from the two reels of tape containing the rooftop session. Listening to this historic audio is a thrilling experience. Although no one knew at the time, this was The Beatles’ last gig. But it’s a perfect live finale – original, humorous and unprecedented: elements that are forever associated with The Beatles.

A live document of the Brian Jones-era Rolling Stones sounds enticing, but the actual product is a letdown, owing to a mixture of factors, some beyond the producers' control and other very much their doing. The sound on the original LP was lousy – which was par for the course on most mid-'60s live rock albums – and the remasterings have only improved it marginally, and for that matter not all of it's live; a couple of old studio R&B covers were augmented by screaming fans that had obviously been overdubbed…

This compilation is a well-selected collection containing some of Rainbow's most popular songs, including "All Night Long", "Stone Gold", "Catch The Rainbow", "The Man on the Silver Mountain" and more…