The Idan Raichel

Born September 22, 1934, to a Milanese family, Italian singer Ornella Vanoni spent most of her twenties alternating between theater (her debut was in 1957 with Federico Zardi's I Giacobini) and music. She started by singing "le canzoni della mala," or songs about the underworld, but after meeting Gino Paoli in 1960 (with whom she wrote "Senza Fine," one of her biggest hits) she began exploring the more sentimental sounds of pop.

Une édition limitée et collector du dernier album de Patrick Bruel, certifié double disque de platine, sera disponible le 29/11 prochain agrémenté de 8 titres : 3 titres inédits dont un titre en duo avec Boulevard Des Airs « Tous les deux » et des versions alternatives de titres issus de son dernier album ainsi qu’une version revisitée de Place des grands hommes.

On TRUE NORTH, Lawson Rollins offers 12 new original compositions that showcase the guitarist at the peak of his compositional skills with his melodic and daring improvisational flair on full display. From the Electronic-infused intensity of “With the Wind” to the plaintive bossa nova sway of “Bluewave Bossanova” to the delicate pulse of “Yearning to Know," the album explores the wide range of genres, emotions, and moods that have come to characterize the dynamic and adventurous musical journey Lawson has offered fans throughout the 20 years and 14 albums of his career.

Like his legendary father, Ali Farka Touré, Vieux is a guitarist who likes to collaborate. He has worked with the Israeli keyboard player Idan Raichel, and now comes an even more powerful partnership, with American singer Julia Easterlin. The opening Little Things starts with the familiar guitar lines of that Malian favourite Kaira, before Easterlin eases in to nudge the song towards western balladry. Elsewhere, this bravely original fusion switches from an African funk treatment of Fever Ray’s I’m Not Done to slow, thoughtful laments. The traditional In the Pines has been covered by everyone from Lead Belly to Nirvana, but is here reworked with chilling, whispered vocals and desert blues guitar, while the most startling track is a slow, African-edged treatment of Dylan’s Masters of War, which sounds like a pained meditation on the recent chaos in Mali.