The Pianoboy

For much of the 1970s and '80s, guitarist Mighty Joe Young "owned" Chicago's cozy Wise Fools Pub - at least musically speaking. He was the club's top draw, but this live disc, caught at the late and still-lamented Wise Fools, finds him sticking to the tiredest of warhorses. "Stormy Monday," "Turning Point," "That's All Right," and "I Can't Quit You Baby" may have wowed the homefolks, but they don't hold up all that well when transferred to the digital format. Young's quartet features Freddie King's brother, Benny Turner, on bass, and Lafayette Leake on piano.

Mighty Joe Young (Young was using the name well before the movie of the same name was released) arrived on the Chicago blues scene from Louisiana a bit late in the game and never really received the critical attention he deserved. Add in health problems related to a pinched nerve in his neck, and Young's solo recording dates were relatively few (he was, however, an active sideman, working for a time as Otis Rush's rhythm guitarist) given his obvious talent as an electric guitarist and as a strong and sturdy vocalist. This solid set, The Sonet Blues Story, was tracked in Chicago in 1972 and was originally released as part of Samuel Charters' Legacy of the Blues series on the Stockholm-based Sonet Records imprint…

The title of Pink Floyd's debut album is taken from a chapter in Syd Barrett's favorite children's book, The Wind in the Willows, and the lyrical imagery of The Piper at the Gates of Dawn is indeed full of colorful, childlike, distinctly British whimsy, albeit filtered through the perceptive lens of LSD. Barrett's catchy, melodic acid pop songs are balanced with longer, more experimental pieces showcasing the group's instrumental freak-outs, often using themes of space travel as metaphors for hallucinogenic experiences – "Astronomy Domine" is a poppier number in this vein, but tracks like "Interstellar Overdrive" are some of the earliest forays into what has been tagged space rock.

Originally recorded in 1989, The Sacred Bridge contains a speculative program linking various genres of Christian and Jewish religious music, most of it medieval. The Boston Camerata continued to perform the program in various forms in subsequent years.

Over the course of several '60s albums on the Liberty subsidiary, Dolton, the Ventures became the most popular instrumental combo in the U.S.; they would later go on to international fame in the '70s and '80s as pop icons in Japan and Europe. Staying consistent with other globally appealing theme albums like The Ventures' Beach Party and Super Psychedelics, the band opt for a mod, go-go spin on 1966's Wild Things! Along with high-profile covers like "Wild Thing," "Summer in the City," and "The Work Song," some respectable originals like "Wild Trip," and "Fuzzy and Wild" are also included. With the aid of their fuzztone- friendly Mosrite guitars, the group keep things sufficiently grainy and hard-edged throughout; the occasional Farfisa organ, Peter Lorre impersonation ("Wild Thing"), and Martin Denny exotica flourish help balance out the mix. Later released on a See For Miles' two-fer with the Guitar Freakout album, Wild Things! might not compare to classic early releases like Surfing and In Space, but it still is a good bet for die-hard Ventures fans.