The Plansee Wind

The Cathedral of Seville is a gigantic building even by today's standards - in 1401, the city's ecclesiastical superiors decided to build a huge church in place of the former mosque, which future generations would still marvel at, and is one of the largest churches in the world. From the former mosque, the magnificent tower "La Giralda" remains, as well as the courtyard planted with orange trees, which also gives the name to the new CD by The Royal Wind Music. The flute consort, consisting of 11 recorders of all sizes, takes the listener on a walk around and into the cathedral and lets Renaissance works created for this place sound at each station.

Aside from skill, soul, and wonderful melodies, the wind chamber music of Carl Reinecke has nothing to offer the listener. And as this splendid 1992 recording re-released by Naxos in 2008 shows, that is more than enough. Performed by members of the Boston Symphony, Reinecke's Wind Octet, Op. 216, and Wind Sextet, Op. 271, are light and airy works with bouncy rhythms, buoyant tempos, warm harmonies, memorable tunes, and an enviable grasp of form and proportion. Used to playing under a conductor, the Boston Symphony musicians' poised and attentive performances prove they are entirely capable of producing balanced interpretations on their own.

Postcards from Vienna: drawn largely from the supreme players of the Wiener Philharmoniker, collected here are the Decca recordings of Viennese chamber music ensembles, including the New Vienna Octet, Vienna Wind Soloists, Wiener Waldhornverein and Vienna Flute Trio, many making their first international appearance on CD. Led by clarinetist Alfred Boskovsky, the first line-up of the Vienna Octet made it's last recording for Decca in 1972, but Boskovsky was behind the revival of the group's name, having already chosen the young members of the Vienna Philharmonic who would carry on the work of the ensemble and it's traditions of superbly mellifluous, silver-toned playing.

Kevin Michael Holzman serves as the Director of Wind Studies at the University of Cincinnati College-Conservatory of Music. Holzman joined CCM’s faculty on a visiting basis in 2017 as the Assistant Director of Wind Studies, and assumed the Director of Wind Studies position in August 2018. As Director of Wind Studies, Holzman serves as the music director for the CCM Wind Symphony (CCM’s premier large wind ensemble), the CCM Chamber Orchestra, the CCM Chamber Winds, and the CCM Bras Choir. His academic responsibilities include teaching graduate conducting, survey of wind literature and related courses as well as the advising and mentoring of wind conducting students in CCM’s MM and DMA programs.

One or more of these 1995 thru 1997 recordings have been, and/or still are, available separately. NCA has conveniently and, it must be said, quite elegantly repackaged them in a handsomely appointed foldout set. The first disc in this set, the op. 56 quintets, was reviewed as far back as 10 years ago by John Bauman in 23:6 in all of three brief paragraphs. Franz Danzi, (1763-1826) an almost exact contemporary of Beethoven, perhaps deserves a bit more than that, but frankly, not a lot more. He got it in 31:3 from Steven E. Ritter who reviewed a three-CD BIS set of Danzi's complete wind quintets performed on modern instruments by the Berlin Philharmonic Wind Quintet that were recorded half-a-dozen years earlier than these NCA releases.