The first eight tracks on this disc are rock and pop, including songs from Edie Brickell & The New Bohemians, Don McLean, and the Temptations. The last six are from the pen of John Williams. The music literally haunts you as you watch the movie. It's just as effective here.
The second volume of Ace’s Shirelles reissue project finds our heroines firmly entrenched as America’s premiere group. Shirley, Doris, Beverly and Micki (“Mouse” to her friends) were on top of the world as they rang in 1962 at the Apollo Theater’s holiday show – the youngest-ever women to headline Harlem’s fabled showplace. 1961 had seen them rise to dizzying heights with seven major hits, numerous TV appearances and non-stop touring, including an appearance at the Hollywood Bowl. The craze they had incited was booming – the Apollo bill featured the Marvelettes, who had recently become the second girl-group chart-toppers.
The Shirelles were the first major female vocal group of the rock era, defining the so-called girl group sound with their soft, sweet harmonies and yearning innocence. Their music was a blend of pop/rock and R&B – especially doo wop and smooth uptown soul – that appealed to listeners across the board, before Motown ever became a crossover pop phenomenon.
2008 release, the first in a series that will restore to catalogue the original Scepter and Pricewise vinyl albums by The Shirelles, in the same running order as issued plus bonus non-album flipsides. This one pairs their first two albums, which include the Top 40 hits: classics such as 'Will You Still Love Me Tomorrow', 'Mama Said' and 'Dedicated to the One I Love' amongst others. The Shirelles were the door openers for the girl group sound of the early '60s. Their strongest sides stand alongside the best of anything that splendid genre has to offer. Exquisitely remastered - and in stereo where stereo tapes still exist - this CD and future releases in the series will provide the definitive Shirelles collection for anyone who wants something more than the umpteenth rehash of their Greatest Hits.
All good things must come to an end. Thus it is with tears in our eyes and handkerchiefs in hand that, this month, we bring the curtain down on our series of pairings of the Shirelles’ original Scepter albums. We’d love it to have continued for longer but, unfortunately for us all, the girls just did not release enough long players to make that happen. If you’re looking for someone to blame for that, blame Florence Greenberg – Scepter was her label, not ours. Few big (or small) girl groups of the 1960s could have achieved the level of success that they did without the pioneering work of Shirley Alston, Micki Harris, Doris Coley and Beverly Lee. The conclusion of the series is with two very rare albums, neither of which has ever been on CD before.