The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll. Sandwiched in between the abrasive classics of "Cinderella" and "Don't Be Afraid of the Dark" (with the Wailers on backing vocals), the funk sass of "The Hustler" and "Shot Down," the demonic "He's Waitin'," and the sledgehammer, inside-out version of "Louie, Louie" (only three chords to play and they don't even play 'em) are the band's straight-ahead takes on old R&B chestnuts like "Skinny Minnie," "Let the Good Times Roll," "Don't You Just Know It," "Since I Fell for You," "Hitch Hike," and a nice barn-burning version of "Jenny Jenny." Where the Wailers cut down the trees and paved the highway, the Sonics were the first group from their neck of the woods to take that music somewhere wilder than their original inspirations. The second chapter of Northwest rock & roll after you absorb the Wailers' Golden Crest sides.
1999 digitally remastered re-issue of the second album by the legendary kings of garage rock, originally released in 1966. Includes three bonus tracks: 'The Witch' (alternate) and two live tracks. The Sonics' second album is every bit as explosive and influential as their debut outing, loaded with gritty Northwest rock & roll.
The Tunnel of Love tour again? That’s surely a sentiment some are expressing with this month’s release of New York 5/16/88, the outstanding opening night performance from the final, five-show stand on the US leg of the 1988 tour.
First the good news, which is really good: the sound on this 340-song set is about as good as one ever fantasized it could be, and that means it runs circles around any prior reissues; from the earliest Aristocrat sides by the Five Blazers and Jump Jackson & His Orchestra right up through Muddy Waters' "Going Down to Main Street," it doesn't get any better than this set. The clarity pays a lot of bonuses, beginning with the impression that it gives of various artists' instrumental prowess. In sharp contrast to the past efforts in this direction by MCA, however, the producers of this set have not emasculated the sound in the course of cleaning it up, as was the case with the Chuck Berry box, in particular.