This is the best of Sweet hits collections which includes all Sweet's hits from the early "Funny Funny" through "Blockbuster" and their huge hits to "Love Is Like Oxygen" which was their last really sizeable hit both in the UK and US. Most of the other collections miss off "Love Is Like Oxygen", and as that's one of their best tracks it is worth tracking down this collection. This CD also includes some of their famous B sides, such as the heavy rock "Burning", B-side to "Hellraiser", and their minor later hits which proved less popular with the public … and you can see why when listening to this album. Its not so much that the later songs were poor, but they sound ordinary compared to the euphoric sounds of "Hellraiser" and "Ballroom Blitz", and even the high-camp of "Wig Wam Bam" and "Little Willy" are much more fun. Undoubtedly a trail-blazing band and great to listen to over 30 years later.
Talk about forgotten composers! Marcos Portugal (1762-1830) composed some 50 operas, all of which have disappeared. This present one was premiered in 1797 in Venice but the version recorded is one that was reassembled for Lisbon in 1804. Shorn of what I can only assume were the quasi-endless recitatives that were in style at that time in farces, what we get is 69 minutes of delightful music that makes you want to hear more of this Portuguese composer. Rossini might've been pleased with the plot about two women, one a Countess and the other a peddler, who have their identities switched by a playful magician/pilgrim and who wind up better for it (and their husbands) when all is set right.
The Sorcerers began working on the new album during the winter of 2018 and it was during the writing sessions for this album that the concept for the LP began to take shape. The name for the album was taken from the title of a National Geographic article read by Bassist Neil Innes and was used as the starting point for the entire concept. The library music scene of the 60s and 70s has always been an intrinsic part of the sound of ATA Records and so it made perfect sense to envisage the album as a soundtrack, given the cinematic quality of The Sorcerers music…
Ken Senior, the man behind this Evolution project, is definitely an underground name of the modern prog scene.Around mid-90's, when he was already collaborating with Bjorn Lynne as well as Steve McBabe of Elegant Simplicity, he found this one-man project, under which he covered ''White mountain'' for the Genesis' tribute release ''The River of Constant Change''. The albums starts off in a more simple mood, being typical melodic Neo Progressive Rock, characterized by dramatic melodies and a hidden grandiosity, becoming though more complex as it unfolds. This is superb and highly melodic Neo Prog with a number of great compositions, which deserves some more fame. Highly recommended from Retro Prog fans to followers of a more modern approach in their prog music.
First recognized as the dance duo behind the club hits "Stakker" (as Humanoid) and "Papua New Guinea," Future Sound of London later became one of the most acclaimed and respected international experimental ambient groups, incorporating elements of techno, classical, jazz, hip-hop, electro, industrial, and dub into expansive, sample-heavy tracks, often exquisitely produced and usually without easy precursor.
Notoriously enigmatic and often disdainful of the press, the group's Garry Cobain and Brian Dougans worked their future-is-now aesthetic into a variety of different fields, including film and video, 2- and 3-D computer graphics and animation, the Internet, radio broadcast, and, of course, recorded music…