Thelonious Monk Thelonious Alone In San Francisco

Thelonious Monk - Thelonious Alone In San Francisco (1959) {OJC Remasters Complete Series rel 2011, item 20of33}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 229 Mb | MP3 @320 -> 108 Mb
Full Artwork @ 600 dpi (png) -> 481 Mb | 5% repair rar | 24-bit remaster
© 1959, 2011 Riverside / Concord | 0888072328440
Jazz / Bop / Modal Music / Piano

An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.

Thelonious Monk - The Complete Riverside Recordings (1988) {15CD Riverside Victor Japan VDJ-25010~24 rec 1955-1961}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 4.97 Gb | MP3 @320 -> 2.24 Gb
Full Artwork @ 600 dpi (png) -> 1.71 Gb | 5% repair rar
© 1955-61, 1988 Riverside / Fantasy / Victor Japan | VDJ-25010~24
Jazz / Bop / Hard Bop / Piano

The studio and live recording sessions that Thelonious Monk cut during his six-year stay at the Riverside label are compiled over the 15 discs in the Complete Riverside Recordings. This middle era – between his early sides for Prestige and the final ones for Columbia – is generally considered Monk's most ingenious and creative period. The sessions are presented in chronological order, accurately charting the progression and diversions of one of the most genuinely enigmatic figures in popular music. The Complete Riverside Recordings explores Monk's genius with a certain degree of real-time analysis that simply listening to each of the individual albums from this era lacks.

One of the great soprano saxophonists of all time (ranking up there with Sidney Bechet and John Coltrane), Steve Lacy's career was fascinating to watch develop. He originally doubled on clarinet and soprano (dropping the former by the mid-'50s), inspired by Bechet, and played Dixieland in New York with Rex Stewart, Cecil Scott, Red Allen, and other older musicians during 1952-1955. He debuted on record in a modernized Dixieland format with Dick Sutton in 1954. However, Lacy soon jumped over several styles to play free jazz with Cecil Taylor during 1955-1957. They recorded together and performed at the 1957 Newport Jazz Festival. Lacy recorded with Gil Evans in 1957 (they would work together on an irregular basis into the 1980s), was with Thelonious Monk's quintet in 1960 for four months, and then formed a quartet with Roswell Rudd (1961-1964) that exclusively played Monk's music; only one live set (for Emanen in 1963) resulted from that very interesting group. 6 original albums from the soprano sax maestro including works with Don Cherry & Gil Evans; Soprano Sax, Plays Theloniuous Monk, Straight Horn Of.., Evidence, Gil Evans & Ten, Great Jazz Standards.