Theoretical Acoustics Morse

This book presents a concise description of the acoustics of ocean sediment acoustics, including the latest developments that address the discrepancies between theoretical models and experimental measurements. This work should be of interest to ocean acoustic engineers and physicists, as well as graduate students and course instructors. The seabed is neither a liquid nor a solid, but a fluid saturated porous material that obeys the wave equations of a poroelastic medium, which are significantly more complicated than the equations of either a liquid or a solid.

Research and scientific progress are based upqn intuition coordinated with a wide theoretical knowledge, experimental skill, and a realistic sense of the limitations of technology. Only a deep insight into physical phenomena will supply the necessary skills to handle the problems that arise in acoustics. The acoustician today needs to be well acquainted with mathematics, dynamics, hydrodynamics, and physics; he also needs a good knowledge of statistics, signal processing, electrical theory, and of many other specialized subjects. Acquiring this background is a laborious task and would require the study of many different books. It is the goal of this volume to present this background in as thorough and readable a manner as possible so that the reader may turn to specialized publications or chapters of other books for further information without having to start at the preliminaries. In trying to accomplish this goal, mathematics serves only as a tool; the better our understanding of a physical phenomenon, the less mathematics is needed and the shorter and more concise are our computa tions. A word about the choice of subjects for this volume will be helpful to the reader. Even scientists of high standing are frequently not acquainted with the fundamentals needed in the field of acoustics. Chapters I to IX are devoted to these fundamentals. After studying Chapter I, which dis­ cusses the units and their relationships, the reader should have no difficulty converting from one system of units to any other.

E.F.F. Chladni’s experiments and observations with sound and vibrations profoundly influenced the development of the field of Acoustics. The famous Chladni diagrams along with other observations are contained in Die Akustik, published in German in 1802 and Traité d’Acoustique, a greatly expanded version, published in French in 1809. This is the first comprehensive translation of the expanded French version of Traité d’Acoustique, using the 1802 German publication for reference and clarification. The translation was undertaken by Robert T. Beyer, PhD (1920-2008), noted acoustician, Professor of Physics at Brown University, and Gold Medal recipient of the Acoustical Society of America. Along with many other projects completed over the course of his career, Dr. Beyer translated Von Neumann’s seminal work, Mathematical Foundations of Quantum Mechanics from the original German, spent 30 years translating Russian physics treatises and journals, served as editor of the English translation of the Soviet Journal of Experimental and Theoretical Physics, and also authored Sounds of our Times: Two Hundred Years of Acoustics.

Testimony is the third studio album, and the first concept album, by Neal Morse. Released in 2003, this double record is in five sections detailing the composer's life and conversion to Christianity. The album features performances from ex-Dream Theater drummer Mike Portnoy and Kerry Livgren of Kansas, although the majority of instruments are played by Morse himself.