After recently signing a worldwide record deal with Napalm Records, German post rock/experimental young-bloods THERE’S A LIGHT now unveil their second album, f̶o̶r̶ ̶w̶h̶a̶t̶ ̶m̶a̶y̶ ̶I ̶h̶o̶pe̶? for what must we hope? on December 10, 2021.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. This LP was the very obvious follow-up to the moderately commercially successful "The Look of Love." Both took their titles from their opening Burt Bacharach tunes; and both included other contemporary pop hits, including by the Beatles. This one added a second Paul McCartney Beatles song, with the last two tracks being "Hey Jude" and "Fool on the Hill." The arranger on both "The Look of Love" and "Always Something There" was the great Thad Jones, who contributed one excellent original blues-jazz composition for each - here, one called "Home Town," which outstrips everything else due to its creative jazz content.
Inspired by The Looking Series collections on RPM of UK 60s Nuggets, we now look in the world mirror at New Zealand. The country furthest from the UK and in this context the country most like the UK. For the latest in the RPM /Frenzy Music collaborations, following sets from Larry’s Rebels , The Fourmyula , Ray Columbus, The Dave Miller Set , and the Girl Group Sound down-under on “Come and See Me”, we explore the mid 60’s club scene and the various classic singles tailored for that scene.
Rick Wakeman's return to YES in June of 2002 coincided with the completion of the recording of "Out There", his first progressive rock album with his own band for 26 years. In true Wakeman tradition, "Out There" is a musical concept continued from where he left off in 1976 with his quest for the origins of all music with "No Earthly Connection" which sold in excess of five million copies worldwide…
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris.
Other than their greatest-hits compilations, this by far is the Dells' finest LP release. Bobby Miller excelled in assembling this strong package. The six-minute-plus "Stay in My Corner" remains a live show staple and R&B classic. Written by Wade Flemons, Bobby Miller, and Barrett "Money" Strong, the epic ballad shattered the belief that pop songs had to be three minutes or less to get airplay; it was a remake of a shorter version by the Dells released on Vee Jay in 1965…
BGO's 2013 two-fer She Even Woke Me Up to Say Goodbye/There Must Be More to Love Than This combines Jerry Lee Lewis' 1970 album with its 1971 sequel, both ranking among his finest country efforts. She Even Woke Me Up to Say Goodbye slightly edges out its sequel in terms of consistency, partially because it's anchored on a couple of major hits ("Once More with Feeling," "She Even Woke Me Up to Say Goodbye"), but There Must Be More to Love Than This is no slouch, containing a bunch of pure hard country, lots of barroom weepers and barrelhouse rockers.