These Are The Blues

Ella Fitzgerald was never thought of as a blues singer but she does a surprisingly effective job on the ten blues songs here, including "See See Rider," "Trouble in Mind," "St. Louis Blues," and Bessie Smith's "Jailhouse Blues." She somehow sings more or less in the style of the classic blues vocalists of the 1920s and largely pulls it off. Trumpeter Roy Eldridge, who has few solos and is low in the mix, is largely wasted, as organist Wild Bill Davis (with assistance from guitarist Herb Ellis, bassist Ray Brown, and drummer Gus Johnson) dominate the ensembles. It's an interesting set.

David Coverdale is back with a brand new Whitesnake on Live…In the Shadow of the Blues. Recorded between 2005 and 2006, this double disc documents a new band – with veteran monster drummer Tommy Aldridge (Black Oak Arkansas, Pat Travers, Randy Rhoads-era Ozzy Osbourne), guitar wizards Doug Aldrich (Dio, Carmine Appice, Bad Moon Rising) and Reb Beach (Winger, Eric Clapton), bassist Uriah Duffy (Carmine Appice, Pat Travers Band, Christina Aguilera), and keyboard boss Timothy Drury (Eagles) – and runs not only through the hits in an inspired and dirty-ass fashion, but comes up with four new cuts as well, recorded in the studio and tacked on at the end of disc two…

The Time-Life Treasury of the Blues showcases Arthur "Big Boy" Crudup's "That's All Right" (recorded in 1946) and 19 subsequent electric blues classics of the postwar period. These are the powerhouse songs/hits of the era by Bobby Bland, John Lee Hooker, Muddy Waters, B.B. King, Howlin' Wolf, and Jimmy Reed. While there is nothing here that the aficionado doesn't already own, these 20 original remastered tracks are the perfect introduction for the blues novice.

These are the earliest-known recordings of Canned Heat with the primordial lineup of Alan "Blind Owl" Wilson (guitar/harmonica/vocals), Stuart Brotman (bass), Henry "Sunflower" Vestine (guitar), Bob "The Bear" Hite (vocals), and either Keith Sawyer (drums), or perhaps his replacement, Frank Cook (drums), who joined circa 1966. Another notable name among the personnel listed on the original LP jacket is rhythm & blues legend, Johnny Otis as producer. This is certainly fitting, as the Heat wind their way through compact, high-energy versions of a variety of selections, directly contrasting the longer psychedelic showcases that would evolve over the next few years.

The Bottom Of The Top (1973). There weren't many blues albums issued during the early '70s that hit harder than this one. First out on the short-lived Playboy logo, the set firmly established Walker as a blistering axeman sporting enduring Gulf Coast roots despite his adopted L.A. homebase. Of all the times he's cut the rocking "Hello My Darling," this is indeed the hottest, while his funky, horn-driven revival of Lester Williams's "I Can't Lose (With the Stuff I Lose)" and his own R&B-drenched "It's All in Your Mind" are irresistible. After-hours renditions of Sam Cooke's "Laughing & Clowning" and Long John Hunter's "Crazy Girl" are striking vehicles for Walker's twisting, turning guitar riffs and impassioned vocal delivery…

Various Artists - Nothing But The Blues 1923-1948 (1998) {40CD Box Set Remastered - The International Music Company AG}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 5.16 Gb
Full Artwork @ 300 dpi (png) -> 678 Mb | 5% repair rar
© 1923-48, 1998 The International Music Company AG, Germany | 201931-302 A/B ~ 201950-302 A/B
Blues / Traditional Blues / Acoustic Blues / Electric Blues / Regional Blues / Folk Blues

40 CD box set. Artists include John Lee 'Sonny Boy' Williamson, Leadbelly, Big Bill Broonzy, Bessie Smith, Muddy Waters, Mississippi John Hurt, Memphis Minnie, John Lee Hooker, Big Joe Williams and many more. 725 tracks all digitally remastered to enhance the original recordings without manipulating the character of the music. Recordings made between 1923 and 1948. 20 double slimline jewel cases housed together in a cardboard box.