They Shoot Horses Don't They

Dudu Pukwana & John Stevens - Mbizo Radebe, They Shoot to Kill (1987) {Affinity CDAFF775 rel 1991}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 338 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (png) -> 20 Mb | 5% repair rar
© 1987, 1991 Affinity | CD AFF 775
Jazz / African Jazz / Avant-Garde Jazz / African Traditions / Saxophone / Drums

Dudu Pukwana grew up studying piano in his family but in 1956, he switched to alto sax after meeting tenor sax player Nick Moyake. In 1962, he won first prize at the Johannesburg Jazz Festival with Moyake's Jazz Giants (1962 Gallo/Teal). Chris McGregor then invited him to join the Blue Notes; the interracial sextet, increasingly harassed by authorities, went into exile in 1964, playing in France, Zurich, and London.

Twenty-selection of the best romantic songs from the record label "Arcade", (more than 300 songs that have long become a classic music). It is probably easier to list those artists and those styles, those countries and continents that are not in this collection. It is just necessary to listen.

South London genre-blending story tellers Alabama 3 return with a new album on Submarine Cat Records.

'' 1000 Original Hits '' is the title of a compilation series published by EMI Plus (Europe). This release contains portions of this series, released in 2001, containing works performed from 1970 to 1979.

Heading into Band of Horses’ sixth album, frontman Ben Bridwell wanted to do things differently. He’d been hanging out with some younger musicians in his adopted home of Charleston, South Carolina, and liked their style. “They were making really beautiful sounding records in, like, a storage shack, basically,” he tells Apple Music. One in particular, Wolfgang Zimmerman, had sparked Bridwell’s imagination to the point that Bridwell found himself sneaking out to make demos with Zimmerman on the sly, away from the rest of the band. “It wasn’t a plot to overthrow the record,” Bridwell says. “But in the end, it did feel a bit like a mutiny.” The result is music that feels less like a departure from the band’s core sound than a reaffirmation of it: the anthemic choruses, the windswept grit, the mix of joy and melancholy.