Thibaut Maurisse

Praised for his “smooth, rich and sweet sound and impeccable virtuosity”, guitarist Thibaut Garcia releases his second album on Erato, a recital of works composed and inspired by Johann Sebastian S Bach.
“Bach has been part of my life as a musician since the very start,” he says. Taking Bach’s mighty Chaconne as his centrepiece, he ranges wide: from Gounod’s much-loved ‘Ave Maria’ and Villa-Lobos’s Bachianas Brasileiras No 5 to music by Agustín Barrios Mangoré, Alexandre Tansman and the contemporary Serbian-American composer Dušan Bogdanović.

C'est par là qu'il aurait fallu commencer. Par le début, la genèse… Par toutes ces années qui ont précédé la mort de Grégory Villemin, quand une voix rauque persécutait au téléphone une famille ordinaire, tapie dans une vallée méconnue de l'est de la France.
Par ces jalousies nées d'une promotion à l'usine, d'une voiture ou d'un salon de cuir neufs, des repas dominicaux mal partagés…

Behold Orpheus, the singing shepherd who braved the Underworld to bring back Eurydice. The only human to conquer death, this famous Thracian bard is the hero of the French cantatas that flourished between 1710 and 1730. They paint a picture of the faithful husband’s burning ardour and pleas, his hypnotic song that won over the King of Darkness, his furtive glance that would forever rob him of his beloved; these are miniature operas, their intense poignancy rendered by the chamber choir that magnificently envelops the singer. This fine team masterfully weaves a tapestry of emotions, the early gems of the Rocaille period, offering a sequel to the Coucher du Roi with which they gifted us two years ago. This truly is the spirit of Versailles.