Think I'm Going Weird: Original Artefacts From The British Psychedelic Scene

“Stephen Glynn is the authority on sport in British cinema, and The British Boxing Film is a very welcome addition to his previous surveys of the people’s game and the sport of kings. Glynn makes a highly persuasive case for the boxing picture as a site of significant cultural interest, especially through its engagement with class and gender politics. As relevant for social historians of sport as for film studies, The British Boxing Film is an undisputed knock-out winner.”

“Stephen Glynn is the authority on sport in British cinema, and The British Boxing Film is a very welcome addition to his previous surveys of the people’s game and the sport of kings. Glynn makes a highly persuasive case for the boxing picture as a site of significant cultural interest, especially through its engagement with class and gender politics. As relevant for social historians of sport as for film studies, The British Boxing Film is an undisputed knock-out winner.”

In 2016, Cherry Red’s psychedelic imprint Grapefruit Records released the 3CD set ‘Let’s Go Down And Blow Our Minds’, a hugely successful, widely-acclaimed anthology of lysergically- inclined music made in Britain during the epochal year of 1967. In response to the many requests we’ve received, here’s the long-awaited second volume, housed like its predecessor in a clamshell box with a lavishly annotated and illustrated 48- page booklet. Featuring 79 mind-melting tracks from British psychedelia’s key year, ‘Too Much Sun Will Burn’ covers all bases, incorporating the era’s big hitters (The Move, The Who, Small Faces, ISB, Pretty Things, The Zombies), huge singles (Traffic, Procol Harum, The Hollies, Eric Burdon & The Animals, The Troggs), cult 45s (Paper Blitz Tissue, Made In Sheffield, Caleb and many others) and such future legends as Bowie, Genesis, Alex Harvey and Elton John, with a track from his legendary aborted debut LP ‘Regimental Sgt. Zippo’.

Six CD box set. Released by the Major Minor label in 1968, the self-titled July album has long been acknowledged by genre enthusiasts as one of the classic UK psychedelic one-shots, mixing the ambition and experimentation of "Sgt. Pepper" with a lo-fi charm and endearing garage band artlessness. It is also one of the most hotly-pursued artefacts of the British psychedelic era, with an original UK copy (only graded at VG++) recently selling on eBay for around £3700. This definitive six CD overview of the band's activities includes newly-remastered versions of the album in both mono and stereo formats as well as the various single issues, including a completely different recording of album nugget 'The Way'. Disc Three contains The Second Of July, a collection of pre-album demos that appeared in the mid-Nineties to capitalize on the band's growing reputation as original copies of their LP began to sell for increasingly large sums of money. The remainder of the boxed set consists of more recent July recordings following their triumphant return to live work a few years ago. Disc Four is the aborted album Temporal Anomaly, which was recorded circa 2010 but which gains a first-ever release, while Disc 6 is the appropriately-titled Resurrection, which received a limited release in 2013. Disc Six comprises the latest July magnum opus, The Wight Album, which has been pieced together over the last few years by Tom Newman and Peter Cook at Tom's recording studio on the Isle of Wight. Now finally completed, The Wight Album - described by Tom as "the greatest July album" - brings the July story bang up to date. Housed in a clamshell box, and with a 40-page booklet containing a 7000 word essay on the band featuring new quotes and some priceless period photos, The Complete Recordings is an epic look at the studio activities of one of the biggest cults to emerge from the original British psychedelic scene.

Six CD box set. Released by the Major Minor label in 1968, the self-titled July album has long been acknowledged by genre enthusiasts as one of the classic UK psychedelic one-shots, mixing the ambition and experimentation of "Sgt. Pepper" with a lo-fi charm and endearing garage band artlessness. It is also one of the most hotly-pursued artefacts of the British psychedelic era, with an original UK copy (only graded at VG++) recently selling on eBay for around £3700. This definitive six CD overview of the band's activities includes newly-remastered versions of the album in both mono and stereo formats as well as the various single issues, including a completely different recording of album nugget 'The Way'. Disc Three contains The Second Of July, a collection of pre-album demos that appeared in the mid-Nineties to capitalize on the band's growing reputation as original copies of their LP began to sell for increasingly large sums of money. The remainder of the boxed set consists of more recent July recordings following their triumphant return to live work a few years ago. Disc Four is the aborted album Temporal Anomaly, which was recorded circa 2010 but which gains a first-ever release, while Disc 6 is the appropriately-titled Resurrection, which received a limited release in 2013. Disc Six comprises the latest July magnum opus, The Wight Album, which has been pieced together over the last few years by Tom Newman and Peter Cook at Tom's recording studio on the Isle of Wight. Now finally completed, The Wight Album - described by Tom as "the greatest July album" - brings the July story bang up to date. Housed in a clamshell box, and with a 40-page booklet containing a 7000 word essay on the band featuring new quotes and some priceless period photos, The Complete Recordings is an epic look at the studio activities of one of the biggest cults to emerge from the original British psychedelic scene.

Compiling the "Nuggets From The Golden State" series has been a lot of fun and a true labour of love, but right from the start there's one volume I've been itching to put together: 'The Berkeley EPs'. A compilation of four prized artefacts from the mid-1960s West Coast rock renaissance, this CD hopes to make a case for the town of Berkeley as the real birthplace of psychedelic music.People in the UK tend to view the whole of the Bay Area as just "San Francisco" whereas Berkeley, a twenty minute drive east across the Bay Bridge, is a completely separate area, both geographically and intellectually. And it shows.

UK three CD set. While the likes of Rubber Soul, 'See My Friends' and 'Still I'm Sad' had served notice in 1965 of British pop's heightened level of ambition, 1966 would prove to be an even more tumultuous twelve-month period as experimentation and innovation grew to new levels. The release that August of Revolver brought the concept of psychedelic music out of the margins and into the mainstream. However, psychedelia had been percolating throughout the year. The word was already in subterranean use in America, adapted by the likes of The 13th Floor Elevators and Hollywood hustler Kim Fowley, who in late 1965 had become the first person to promote a record with the term "psychedelic". Featuring 84 tracks, A Slight Disturbance In My Mind: The British Proto-Psychedelic Sounds Of 1966 examines the experimental pop element of the British music scene during that epochal twelve-month period with a dizzying, dazzling mix of nascent psychedelia, introspective pop and what's been retrospectively labelled freakbeat. We feature vital contributions from some of the era's biggest names (The Kinks, The Yardbirds, The Hollies, The Animals etc), a bunch of highly collectable cult classics, a huge stash of unissued-at-the-time nuggets and early outings for such future legends as Bowie, Bolan, Slade and The Bee Gees. Housed in a clamshell box containing a 52-page booklet crammed with biographical information and priceless period photos and memorabilia, A Slight Disturbance In My Mind is a glorious snapshot of British pop storming the gates of a new, strange and wonderful dawn.