In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.
In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.
When it came to the compiling of this country blues album, the towering influence of a dozen or so of the giants of pre-war blues made them totally un-droppable. Therefore, with so many familiar names, the challenge lay with creating the best possible cross section of this most diverse of genres within the time constraints of a CD.
In 2018, country music is still well and truly alive and kicking. We’re not talking about the alien world of mega festivals and musical compromise for the sake of commerce, we’re talking about the art of songwriting, the rootsy pull on heartstrings and mainlining of heartache and devotion through the songs and stories of musicians from across the wide Australian expanse. Take Me To Town lays its mission statement out with its title. It’s a collection of alternative country songs. 47 of them. They’re the kinds of songs you’ll hear in pubs, bars, cafes and bowling clubs on any day of the week. Whether there are five people and a dog in front of the artist or a raucous room, packed to the gunnels, hot and noisy; these musicians sing their stories and play their instruments with heartfelt conviction.