This is Day One

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When Nikki Sixx, James Michael and Dj Ashba get together, something special happens. The last time the supergroup aligned as Sixx:A.M., their first album, 2007 s The Heroin Diaries Soundtrack gave birth to the single, Life Is Beautiful, which became radio s most-played rock song of 2008. They joined the Crüe Fest tour and played for more than half a million rock fans with Michael at the mic, Dj on guitar and Sixx on bass. Recently, they rejoined to create This Is Gonna Hurt, their second album and the second soundtrack to a New York Times best selling book by Nikki Sixx. The 11-track companion CD hits stores May 3rd.

Learn French from Scratch with Practical Lessons, Exercises, and Quizzes in Pronunciation, Grammar, and Vocabulary

A Beginner Vinyasa and Power yoga Course combined with Bodyweight Interval training HIIT

Few female singers matched the hard-swinging Anita O'Day for sheer exuberance and skill in all areas of jazz vocals: her splendid improvising, wide range, dynamic tone, and innate sense of rhythm made her one of the most enjoyable singer of the age. O'Day's first appearances in a big band shattered the traditional image of a demure female vocalist by swinging just as hard as the other musicians on the bandstand, best heard on her vocal trading with Roy Eldridge on the Gene Krupa recording "Let Me Off Uptown." After making her solo debut in the mid-'40s, she incorporated bop modernism into her vocals and recorded over a dozen of the best vocal LPs of the era for Verve during the 1950s and '60s. Though hampered during her peak period by heavy drinking and, later, drug addiction, she made a comeback and continued singing into the new millennium. Born Anita Belle Colton in Chicago, she was raised largely by her mother and entered her first marathon-dance contest while barely a teenager. She spent time on the road and occasionally back at home, later moving from dancing to singing at the contests. After bad experiences amid brief tenures with Benny Goodman and even Raymond Scott, O'Day earned a place in Gene Krupa's band in 1941.