On his debut album, Randy Newman sounded as if he was still getting used to the notion of performing his own songs in the studio (despite years of cutting songwriting demos), but apparently he was a pretty quick study, and his second long-player, 12 Songs, was a striking step forward for Newman as a recording artist. While much of Randy Newman was heavily orchestrated, 12 Songs was cut with a small combo (Ry Cooder and Clarence White take turns on guitar), leaving a lot more room for Newman's Fats Domino-gone-cynical piano and the bluesier side of his vocal style, and Randy sounds far more confident and comfortable in this context. And Newman's second batch of songs were even stronger than his first (no small accomplishment), rocking more and grooving harder but losing none of their intelligence and careful craft in the process…
The true power of music is impossible to define and yet we can all feel it when the sonic planets align. The magical impact of the finest rock'n'roll - that hazy but overwhelming blend of inspiration and perspiration - sustains us through dark times and fills our hearts with joy and strength. Music unites us, nourishes us and provides us with an emotional clarity that the rest of our turbulent lives singularly fails to offer. For those reasons and many more, we must proudly acknowledge and salute the true architects of the musical world that we call home. Above all else, Ritchie Blackmore is one of rock's greatest architects; a six-string seer that laid robust foundations upon which four decades of thunderous, perpetual evolution have taken place.
Many call Yes' brand of progressive rock "symphonic rock." The term means that the group produces arrangements in the vein of a symphony using typical rock instrumentation. With Magnification, Yes has taken that a step further, adding a symphony orchestra. The orchestra is not simply thrown over the top, though; the songs were written for this particular grouping. Yes has flirted with this type of thing before. Released in 1970, the Time and a Word album featured a string section, but the complete integration is what makes Magnification a superior work. The material on the CD is pretty standard modern Yes fare, but the addition of that symphony really does create a whole new texture. It also seems as if it inspired the band, and some members put in performances that are head and shoulders above their recent work. The album does have its weak moments and gets just a little over the top at times, but there are a lot more moments that shine than dull ones.
Many call Yes' brand of progressive rock "symphonic rock." The term means that the group produces arrangements in the vein of a symphony using typical rock instrumentation. With Magnification, Yes has taken that a step further, adding a symphony orchestra. The orchestra is not simply thrown over the top, though; the songs were written for this particular grouping. Yes has flirted with this type of thing before. Released in 1970, the Time and a Word album featured a string section, but the complete integration is what makes Magnification a superior work. The material on the CD is pretty standard modern Yes fare, but the addition of that symphony really does create a whole new texture. It also seems as if it inspired the band, and some members put in performances that are head and shoulders above their recent work. The album does have its weak moments and gets just a little over the top at times, but there are a lot more moments that shine than dull ones.
Many call Yes' brand of progressive rock "symphonic rock." The term means that the group produces arrangements in the vein of a symphony using typical rock instrumentation. With Magnification, Yes has taken that a step further, adding a symphony orchestra. The orchestra is not simply thrown over the top, though; the songs were written for this particular grouping. Yes has flirted with this type of thing before. Released in 1970, the Time and a Word album featured a string section, but the complete integration is what makes Magnification a superior work. The material on the CD is pretty standard modern Yes fare, but the addition of that symphony really does create a whole new texture. It also seems as if it inspired the band, and some members put in performances that are head and shoulders above their recent work. The album does have its weak moments and gets just a little over the top at times, but there are a lot more moments that shine than dull ones.