Here is a collection on the indie Wounded Bird Records that was once one of the linchpins of the Columbia Masterworks LP catalog, yet it has never been issued by anyone on CD: The Varèse Album. Issued in 1972, CBS's The Varèse Album was in itself a reissue, consisting of the albums Music of Edgar Varèse (1960) and Music of Edgar Varèse, Vol. 2 (1963), both featuring pickup groups led by Robert Craft and the first volume including Varèse's own realization on tape of Poème Electronique (1958). In 1972, The Varèse Album was thought to contain near to all of the works of Varèse, and since then that short catalog hasn't expanded by much.
This is Art Blakey's early period Jazz Messengers featuring trumpeter Kenny Dorham, saxophonist Hank Mobley, bassist Doug Watkins, and pianist Horace Silver. This first volume of live performance from the Cafe Bohemia in New York City circa late 1955 is a rousing set of hard bop by the masters who signified its sound, and expanded on the language of modern jazz. There are three bonus CD tracks not on the original LP that further emphasize not only the inherent power of Blakey's band and drumming, but demarcate the simplicity of melodic statements that were a springboard for the fantastic soloing by these individuals who would follow those tuneful lines…
Volume deux of the 1955 Cafe Bohemia sessions from Art Blakey's second edition Jazz Messengers is better than the first. The music is more energetic, cohesive, and pushes the hard bop farther. Where the first volume featured compositions of newly recruited trumpeter Kenny Dorham, it is tenor saxophonist Hank Mobley asserting himself on the bandstand with his set pieces that formed the foundation of the first studio edition of the quintet that included Donald Byrd. Here, Mobley does not defer to Dorham, pushing his sound forward without compromising his vision. "Sportin' Crowd" is definitely an ear opener, a straight-ahead, hard bop gem based on the changes of the Sonny Rollins' classic "Tenor Madness"…
The Lost Album resurrects six lengthy and largely acoustic tracks recorded in 1980 by West African singer Salif Keita and his longtime collaborator, guitarist Kante Manfila. Musical partners since the late '60s, first in the Rail Band and then in Les Ambassadeurs Internationaux, Keita and Manfila seem to be moving away from that group's somewhat westernized Afro-pop sound with these sessions.
Old Socks, New Shoes… New Socks, Old Shoes was the final album by the Jazz Crusaders. Immediately thereafter they dropped the word "jazz" from their name, leaving them the Crusaders and most of the rest is history. This killer set was released on the Chisa label in 1970 and distributed by Motown. While the Jazz Crusaders had long made then-current popular songs part of their repertoire, and had moved from their hard bop origins into the soul-jazz groove years before, this disc was a shock, and sounded like a different band - almost. For starters, pianist Joe Sample moved over the Rhodes for the majority for this date (he is still one of the greatest voices on this strange, imprecise instrument), and along with drummer Stix Hooper, saxophonist Wilton Felder, and trombonist Wayne Henderson, guitarists Arthur Adams and Freddie Robinson helped out on bass and guitar, respectively…
UK jazz ensemble The Jazz Defenders release their third album "Memory In Motion" in April on Haggis Records (home of The Haggis Horns and Malcolm Strachan). The Bristol jazz boppers deliver another quality release of original material that takes in their usual diverse mix of influences and genres, from timeless acoustic jazz referencing the classic sounds of Blue Note Records, to a more contemporary fusion where jazz meets soul, funk and hip-hop.