Throttle Elevator Music IV reunites with tenor saxophonist Kamasi Washington for a fourth album, atop eleven original new compositions by the Throttle writing team (Matt Montgomery and Gregory Howe).
Final Floor is eleven new tracks featuring saxophonist Kamasi Washington and trumpeter Erik Jekabson with longtime collaborators and songwriters Matt Montgomery and Gregory Howe. Joining them are Mike Hughes on drums, Kasey Knudsen on Alto Saxophone, Ross Howe on Fender Guitar and Mike Blankenship on organ. As the title indicates, this album represents the final original recordings of Throttle Elevator Music. Final Floor has an upscale energy with elements of rock and punk that fuel the overall sound and dynamically bring an edge back to jazz.
Norwegian folk musician Sinikka Langeland, singer and player of the kantele (the Finnish table harp) is a distinctly non-traditional traditionalist, redefining "folk" in successive projects. 'Maria's Song' finds her in the company of two distinguished classical musicians - organist Kare Nordstoga and "giant of the Nordic viola" Lars Anders Tomter - and on a mission to restore Marian texts to sacred music, weaving folk melodies in between the timeless strains of J S Bach. Langeland made a lot of friends with her sparkling ECM debut Starflowers: "There are jewels everywhere on this arresting example of ego-free music-making. One of the albums of this or any other year" raved the Irish Times. Where Starflowers brought Langeland into the orbit of jazz improvisers, Maria's Song is a meeting and cross referencing of folk and 'classical' energies, and also a righting of historical 'injustice': Religious folk songs are amongst the most distinctive elements of the Norwegian folk tradition, yet the Virgin Mary rarely appears in them.
The Karajan Official Remastered Edition comprises 13 box sets containing official remasterings of the finest recordings the Austrian conductor made for EMI between 1946 and 1984, which are now a jewel of the Warner Classics catalog. This 5-CD box of recordings made in Vienna and London brings together supreme choral and vocal works by Bach, Beethoven, Brahms, Mozart, and Strauss, performed by soloists of the stature of Elisabeth Schwarzkopf, Kathleen Ferrier, Christa Ludwig, Nicolai Gedda, and Hans Hotter.
Robert Schumann is probably best known for his copious amount of piano works and lieder – music that, fuelled by vivid imaginings and unfettered emotions, represents one of the highest expressions of the Romantic spirit. It shouldn’t be forgotten, however, that the composer also wrote masterly works for the organ, an instrument which interested him only occasionally but which he praised in his Rules for House and Life (1850): ‘If you pass near a church and you hear the organ playing, go inside and listen… Never waste an opportunity to practise the organ: there is no other instrument able so swiftly to dispense with all that is impure and imprecise, both in the music itself and in the manner of playing it.’