Fiona Apple defied categorization or any easy career path, almost running the pattern in reverse, opening her career as a highly touted and popular alternative singer/songwriter, then transitioning into a cult artist. Apple certainly benefited from the open-door policy of modern rock in the mid-’90s, following the path of crossover alt-rock piano-based songwriters like Tori Amos, but Apple was hardly an Amos copycat: she had a strong jazz undertow in her vocal phrasing and melodies, she had richer arrangements, she had a poppier bent to her songs. All these things helped her 1996 debut, Tidal, find a wide audience, one that increased considerably in the wake of the controversial video for the single “Criminal,” but Apple made it abundantly clear that she wasn’t an amateur provocateur with her sophomore album, When the Pawn Meets the King, an album that increased her critical reputation and cult, which would be pillars of support during her intense battles while making her third album, Extraordinary Machine. Collection includes: 'Tidal' (1996); 'When The Pawn…' (1999); 'Extraordinary Machine' (2005), and 'The Idler Wheel…' (2012).
Culled from New York Philharmonic broadcasts spanning 75 years, this remarkable 10-disc compilation testifies to the strong-willed yet chameleon-like orchestra's virtuosity and versatility under a diverse assemblage of podium personalities. Stylistically speaking, the earlier items are the most interesting, revealing, for instance, a more vibrant Otto Klemperer and freer Arturo Toscanini than their later commercial efforts sometimes suggest. Other artists are heard in repertoire which they otherwise didn't record: Fritz Reiner's Brahms 2nd, Leonard Bernstein's Berg and Webern, and a wrenching concert version of Bartók's Bluebeard's Castle under Kubelík's direction, to name but a few. From program notes to transfer quality, not one stone is left unturned to ensure first-rate results.
Ambient Sleeping Pill 1 (2014). This album is divided into two 40-minute, 5-track halves - both a sort of mini voyage. Both “Warm Night on the Cold Front” and “Dark Moon Lullaby” are epic and blissful (though quite different), slowly fading in and out, ebbing and flowing, with the most dynamic range on the album. Both tracks fade out slowly enough to allow you to fully leave your consciousness behind, before giving you a plush entrance into dreamland via “A Strange Economy” and “Gumball.” We then visit the more mysterious scenes of night, with the reverent “Catenary” and “Eluded.” Flying back on the wings of “Drift Chamber” and “Watching a Glowing Horizon Bend with Earth,” we drift in the heavens for what seems an eternity longer, before coming awake again…
The inside booklet for Norwegian pianist and composer Ketil Bjørnstad's Seafarer's Song begins with a small statement by the Spanish author Juan Jose Millas about the plight of the truly shipwrecked, the ruined in our postmodern times, where messages of distress don't come in bottles, but inside the real human bodies of refugees. It speaks volumes about the music included here. Bjørnstad has given us yet another album of the water to be sure, something he has done since the inception of his solo career for ECM, but he has done so in a completely different way. There is no jazz on the Seafarer's Song, and yes; that's a plus. Utilizing his long-standing band which includes trumpeter Nils Petter Molvaer, guitarist Eivind Aarset, drummer Per Lindvall, bassist Bjorn Kjellemyr, and cellist Svante Henryson, Bjørnstad ups the ante by employing the brilliant if unconventional vocalist Kristin Asbjornsen…
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
Operation: Mindcrime (also known as: Geoff Tate's Operation: Mindcrime) is a progressive metal band that is fronted by the former lead singer of Queensrÿche, Geoff Tate. It is named after Queensrÿche's 1988 album of the same name…
Given its beginnings as Elena Tonra's solo project, it would be easy to assume that Daughter is just another singer/songwriter act with a couple of supporting musicians. However, over the course of If You Leave, Tonra, guitarist Igor Haefeli, and drummer Remi Aguilella make it clear that this is the work of a band. Together, they swing between moments of close-up intimacy and widescreen majesty, often during the course of one song. These songs have so many ebbs and flows that they're practically tidal: "Lifeforms" swells from spiraling guitars that recall the xx in their moody simplicity into towering rock that makes the most of Haefeli's amps and Aguilella's kit.