Tierra Lee Camp Playboy

Descripción de la editorial: Un nuevo volumen dedicado al Dios del Trueno, que continúa los acontecimientos narrados en Marvel Gold. El Poderoso Thor: En mis manos… ¡Este martillo! Llegamos al momento cumbre de la inolvidable etapa de Stan Lee y Jack Kirby, en que Jane Foster desapareció de la serie para dar paso a Lady Sif, el nuevo amor del Hijo de Odín. Mientras, Thor debe superar las maquinaciones de su malvado hermanastro Loki, que le llevarán a quedarse desterrado en la Tierra sin sus poderes divinos.

Set in a Nazi "Love Camp" that services the needs of front line officers. The video packaging claims that this film is based on fact, but the plot is so far fetched you would have a hard time believing that. Two young WAC officers go undercover as POW's in the prison camp hoping to get some information from a scientist that's being held there, before being sprung out by the French resistance. Unfortunately things go wrong with the break out and they end up overstaying their welcome and being subjected to the same indignities as the other inmates.

After years languishing in the blues-rock trenches, Omar Kent Dykes left his Howlers band behind in 2007, hooked up with friend and fellow Austin-ite Jimmie Vaughan, brought in some like-minded guests such as singer Lou Ann Barton, and cruised into one of the most popular blues albums of that year with a tribute to a major influence for both musicians; On the Jimmy Reed Highway. Little has changed on this follow-up from two years later.

Shot on location in the jungle, this gut-punching work of social realism by Mario Soffici—one of classic Argentine cinema’s foremost directors—simmers with rage against worker oppression. Desperate men are entrapped into indentured labor on a yerba maté plantation under the brutal foreman Köhner—a situation made tenser by the fact that both Köhner and a worker named Podeley love Andrea, the sweet-spirited daughter of the camp’s doctor, and that eventually boils over into an explosive rebellion led by Podeley. The expressionistic cinematography of Pablo Tabernero feverishly evokes a place where suffocating heat, economic exploitation, and cruelty lead inexorably to madness and violence.