Our daily need for restful sleep can never be underestimated. Sleep helps us to physically generate renewable energy resources, which are vital for our bodies in order to re-balance and repair. Studies researching the benefits of music as a direct enhancement to aid healthy sleep, suggest that listening to soothing, gentle sounds as a means to induce the natural sleep pattern, results in improved quality of deeper and more satisfactory sleep. Dream sleep with its gentle melodies interspersed with the comforting rhytms of the ocean, provide the ideal backdrop for the perfect sleep. Wrap yourself in the comforting blanket of this dreamy music and gentle natural sounds, specifically designed to promote delta brainwaves for a deeply restful night's sleep. Listen… and let the sandman descend. Goodnight, sleep tight.
A loosely organized concept album - an otherworldly prophet is institutionalized, befriends a fellow inmate, and escapes back to his home world - this release is primarily of interest today to Peter Banks fans. Too often the songs appear to be formed around the lyrics, rather than the other way around, and they only really get rolling when Colin Carter steps aside to let the band kick out the jams. "None the Wiser" has some tearing leads by Banks, and "Man of Honour," their strongest track, moves from a phased banjo introduction to fine interplay between acoustic guitar, bass, and tight drumming. But waiting for the four or five worthy instrumental passages on this album may try the patience of most listeners.
The Beacon Theatre in New York holds 2,700 people, and—much like fans claiming to have seen the final game of the Brooklyn Dodgers at Ebbets Field—there may already be 20,000 people who swear they were there for Sonny Rollins' 80th Birthday performance. At 80 years old, Rollins is still a damn good tenor saxophonist, and Roadshows Volume 2 captures terrific performances from three 2010 live dates, with a heavy emphasis on that birthday party and some A-list guests.
Enter Stratosphere, a tight knit Quintet that mixes symphonic progressive and melodic rock in a manner that will leave you speechless. The band is the brainchild of keyboard virtuoso Jeppe Lund, himself a huge fan of symphonic rock and he has dreamed of making a record such as Fire Flight. With Goran Edman on lead vocals; his clean, yet powerful voice is one of a kind. Goran blends perfectly in a loud music setting and excels on the neo-classical twist. Both his lead and backing vocal qualities are state of art. He has become a household name singing with bands such as Kharma, Vindictiv and, of course, with Yngwie Malmsteen. To complete the line up we have guitarist Jonas Larsen, whose nifty fretwork reminds US of Yngwie himself and Richie Blackmore.
Now You Can Talk About Me collects mid- and late-period Smith, with the harmonica genius' '60s sides for the microscopic imprint Sotoplay sampled on the first five cuts. The remainder of the album is from a 1982 session for the Murray Brothers label with Rod Piazza behind the board, which produced the Boogie'n with George album. Also included are the previously unreleased "Last Chance" and a powerful instrumental slow-burner. Junior Watson shines on guitar on these tracks and Smith's tone is big, fat, rich, and full of ideas galore on tunes like "Bad Start," "Astatic Stomp," "Sunbird," and the title track. But Smith's use of a chromatic harp will strike most blues mavens as something unique and out of the ordinary, as he tackles such standards as "I Left My Heart in San Francisco" and "Peg o' My Heart" with considerable élan, imparting both with a bluesy feel that Jerry Murad & the Harmonicats could only envision. If you like great blues harmonica playing, you're going to love Now You Can Talk About Me. Add Smith's name to the list of all-time greats near the top with this one.