Tim Berne Spiders

Tim Berne - The Empire Box (1999) [5CD BoxSet] {Screwgun}
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© 1999 Screwgun Records | screwu 70009
Jazz / Avant-Garde Jazz / Saxophone

The most remarkable thing about this box set of four of Tim Berne's reissued releases from the JMT label is that the wealth, depth, and breadth of the material here was recorded in only two years. This is astonishing, if one considers – merely by cracking the box set open (a very handsome cardboard sleeve, really) and looking at the notes – that Berne composed, arranged, and performed on these albums with no less than four different bands during the period. For starters, from 1979 there is The Five Year Plan, which featured Berne alongside the late clarinetist John Carter, wind and reedman Vinny Golia, drummer Alex Cline, and bassist Roberto Miranda.

This octet session, recorded live in the studio in June 1997 but not released until 2011, is a departure for Tim Berne. His 1990s quartet Bloodcount (with clarinetist Chris Speed, bassist Michael Formanek, and drummer Jim Black) is augmented by trumpeter Baikida Carroll, violinist Dominique Pifarély, cellist Erik Friedlander, and acoustic guitarist Marc Ducret. The disc contains only two compositions, the first running over 35 minutes and the latter a shade under 30…

Berne calls this band Caos Totale, and if it doesn't quite achieve that lofty goal, it comes close enough to provide a fine mix of rich, involved compositions and lusty, almost rockish, improvisations. One of Berne's songwriting trademarks has been lengthy pieces (often exceeding 30 minutes) with multiple themes that emerge and disappear in an organic but unpredictable way, and this is clearly on view here. Pieces begin in one place but invariably end in another area entirely, but the ride is quite scenic…

When Tim Berne recorded with Snakeoil for ECM in 2012, it marked the debut of a new working band and his first studio album in a decade. With Oscar Noriega on clarinets, pianist Matt Mitchell, and drummer Ches Smith, Berne was able to extend the horizons in his compositions. While conversational intrigue, fiery improvisation, knotty counterpoint, and wildly varying dynamics had long been part of his aesthetic, they found a fluid yet immediate language on 2013's Shadow Man.