Produced by No-Man, Flowers At The Scene is a vibrant collection of 11 strikingly diverse songs. Against a backdrop of propulsive Art Rock, heartbreaking ballads and more, Tim Bowness distinctively delivers cinematic storytelling and disarmingly direct confessional lyrics on his strongest solo album to date. Representing the duo of Tim Bowness and Steven Wilson’s first joint production in over a decade, the album features stunning performances from an extraordinary cast of players including Peter Hammill, Andy Partridge (XTC), Kevin Godley (10cc), Colin Edwin, Jim Matheos (Fates Warning/OSI), David Longdon (Big Big Train), co-producer Brian Hulse (Plenty), Australian trumpeter Ian Dixon, and drummers Tom Atherton and Dylan Howe. The Curator, David K Jones, violinist Fran Broady and Charles Grimsdale also guest.
An expanded and remixed 10th Anniversary version of Tim Bowness and Giancarlo Erra’s 2011 album ‘Warm Winter’ (now issued as ‘Memories Of Machines’, the original project name).
Most well-known for his work in the duo No-Man, his long-running partnership with Steven Wilson (Porcupine Tree, Bass Communion), Englishman Tim Bowness established himself throughout the '90s as a singer and musician with an ear for passionate and passionately wry music. His variety and range of musical interests, similar in scope to Wilson's own various explorations, resulted in a series of bands and joint efforts with friends covering everything from experimental, cutting-edge dance music to torch songs and progressive rock.
Based in Luleå, Sweden, a town roughly 160 kilometers south of the Arctic Circle, the Norrbotten Big Band (NBB) is living proof that jazz is truly a universal music with a remarkable ability to transcend geographical boundaries and cultural differences in its diffusion and appeal.
In this unlikely setting, a vast Nordic region where the nomadic Sami people have been tending their reindeer herds for centuries, the NBB - which since 1996 has been under the artistic direction of the imaginative American trumpeter and composer Tim Hagans - has established itself as Sweden’s representative within the ranks of European ensembles like Germany’s WDR Big Band that have adapted the classic American jazz big band tradition of the Swing and Post-War eras…
This is the most important Tim Buckley release since Dream Letter, featuring a singular performance with a jazz-rock lineup that calls to mind Van Morrison’s Astral Weeks. Buckley, father of Jeff Buckley, made his mark with his Southern California folk-rock sound and four-octave vocal range. But this rich weave of accessible, warm, improvisational music reveals Buckley in a light never before captured on tape, including two newly discovered songs (“Blues, Love” and “The Lonely Life”), early drafts of Buckley classics, and a stunning cover of Fred Neil’s “Merry-Go-Round.” Recorded by the Grateful Dead’s legendary soundman Owsley “Bear” Stanley, the infamous LSD chemist, this is one of the treasures of his Sonic Journal archive. Buckley’s performance is incredible and Bear’s thumbprint on the sonics is part of the magic!